Tom Stoppard’s newest play Leopoldstadt is coming to New York, and once again he is being talked about as if he were the second coming…
View More TRAVESTIES (Lantern): A play of ideas married to farce
Tag: Leonard C. Haas
EUREKA DAY (InterAct): 60-second review
Another, brief take on InterAct Theatre’s latest production
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EUREKA DAY (InterAct): An infectious satire
No easy answers, no good guys/bad guys; it’s life as we cope with it, only funnier.
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CORIOLANUS (Lantern): Succeeding with a Shakespeare many companies wouldn’t attempt
With a strong cast and design wizards the Lantern has made CORIOLANUS a visceral, lively and thought-provoking experience
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What Can The Wilma Do With $10 Million?
A new $10 million in funds includes money for an updated facade, a cafe space, and a 10-member artistic company.
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A DOLL’S HOUSE (Jo Strømgren Kompani): 2015 Fringe review 9.2
Jo Strømgren Kompani boldly promise to deliver the essence of the celebrated play despite making ambitious changes to it.
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A DOLL’S HOUSE (Jo Strømgren Kompani): 2015 Fringe review 9.1
This DOLL’s HOUSE is human and multifaceted, lighthearted and ironic, narrative with a dancer’s expression of character.
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Jumping Out Of Airplanes: Trey Lyford on theater, life, and DOLL’S HOUSE at the 2015 Fringe Festival
This fall, Lyford takes a break from his typical role as a contemporary clown and returns to Fringe Festival in Jo Strømgren’s recreation of Henrik Ibsen’s famous play, A Doll’s House.
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I HATE HAMLET (Montgomery): Paul Rudnick knows a hawk from a handsaw
I have seen a dozen productions of I HATE HAMLET, including the legendary Broadway staging that induced Evan Handler to complain to Actors Equity against co-star Nicol Williamson. This is one of the best.
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RED SPEEDO (Theatre Exile): A dive into the waters of amorality
“We all do things that are sorta good, and things that are sorta not so good.” In RED SPEEDO, each character is capable of doing those things that are sorta not so good.
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A Conversation with Playwright Lucas Hnath, Director Deborah Block, and the Cast of Theatre Exile’s RED SPEEDO
Playwright Lucas Hnath raises serious legal, ethical, societal, and personal issues in RED SPEEDO, his 2013 play enjoying its Philadelphia premiere at Theatre Exile.
View More A Conversation with Playwright Lucas Hnath, Director Deborah Block, and the Cast of Theatre Exile’s RED SPEEDO
Romeo and Juliet (Lantern Theater Company): Do we need another R&J?
You may ask, “Do we need yet another production of Romeo and Juliet?” The answer is yes we do. This is the Lantern. Next question? The…
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