Chuck Schultz reviews Idiopathic Ridiculopathy Consortium’s DREAM GIRL in sketch and words.
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Tag: Kyle Fennie
Theater in Sketch: THE ROSES IN JUNE (Seagull Productions)
Chuck Schultz reviews in words and image.
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A STREETCAR NAMED DESIRE (Deep Blue Theatre Collective): 2016 Fringe review 20.2
Upon entering the MAAS Space, with it’s exposed beams and brick walls, and wooden floors, the very sensation of being engulfed in 1940s New Orleans…
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A STREETCAR NAMED DESIRE (Deep Blue Theatre Collective): 2016 Fringe review 20.1
Deep Blue goes for the jugular with a serious staging of STREETCAR, Tennessee Williams’s beloved, hard, and overheated play
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TRANSLATIONS (Villanova): Mapping identity
When the British army renames the Irish village of Baille Baeg with an Anglicized name, the villagers must decide if it’s still the same place they’ve always known.
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A WONDERFUL NOISE (Villanova): Noise but not wonderful
Michael Hollinger and Vance Lemkuhl’s musical is lacking in conflict and complexity.
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MACBETH (Villanova): Ambition, conscience, fates, and kazoos
This production offers gore, unconventionality, and laughs, and certainly strikes up debates about the meaning of the play’s profound poetry.
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MICHAEL & EDIE (Villanova Theater): 60-second review
It’s more than the classic boy meets girl, boy likes girl, girl is cold to boy tale:. Rachel Bonds’s MICHAEL & EDIE is a whirlwind of realization, emotion, and introspection.
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BIG LOVE (Villanova): 60-second review
Based upon a 2,500-year-old classical Greek play, BIG LOVE tells the story of 50 brides who show up at an Italian mansion, fleeing their 50 cousins/potential husbands.
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