The EgoPo Classical Theater’s production of John Guare’s Lydie Breeze part III was asking the fundamental question, “what is ‘it’.”
View More Theater in Sketch: LYDIE BREEZE Part 3: MADAKET ROAD (EgoPo)
Tag: Kristy Joe Slough
LYDIE BREEZE PART 2: AIPOTU (EgoPo): Seeking utopia
EgoPo’s presentation of John Guare’s Lydie Breeze continues with a look at a New England utopia.
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Fringe in Sketch: SHADOW HOUSE
SHADOW HOUSE was an impressive immersive piece
View More Fringe in Sketch: SHADOW HOUSE
SHADOW HOUSE (Brenna Geffers and Philadelphia Opera Collective): 2016 Fringe review 2
This site-specific installation unravels the layers of emotion and humanity that the historic Powel House contains
View More SHADOW HOUSE (Brenna Geffers and Philadelphia Opera Collective): 2016 Fringe review 2
JUMP THE MOON (Philadelphia Opera Collective): 2015 Fringe review 57.2
o subtitles necessary to hear praises sung for women astronomers of the late 19th century.
View More JUMP THE MOON (Philadelphia Opera Collective): 2015 Fringe review 57.2
JUMP THE MOON (Philadelphia Opera Collective): 2015 Fringe review 57.1
An experimental world-premiere opera gives voice to the unsung women heroes of astrophysics at Harvard in the 1890s, with a cutting-edge score, non-linear libretto, and expressionist movement.
View More JUMP THE MOON (Philadelphia Opera Collective): 2015 Fringe review 57.1
BY YOU THAT MADE ME, FRANKENSTEIN (Philadelphia Opera Collective): 2014 Fringe Review 51.2
This is an opera about monsters—the Frankenstein of the title, a monster we know well from films if not from literature, and the ways in which people become monsters.
View More BY YOU THAT MADE ME, FRANKENSTEIN (Philadelphia Opera Collective): 2014 Fringe Review 51.2
BY YOU THAT MADE ME, FRANKENSTEIN (Philadelphia Opera Collective): Fringe Review 51
The compelling two-act opus captures the historic characters, events, and mood with passion and clarity.
View More BY YOU THAT MADE ME, FRANKENSTEIN (Philadelphia Opera Collective): Fringe Review 51