Catholic Guilt might sound like a title for a heavy, depressing show, but Kelly McCaughan leads audiences on an adventure that is much more than that. The show is McCaughan’s “playful and poignant” take on her experiences with Catholicism, a mix of stand-up, improv and what they describe as “sinful audience participation”.
View More ‘Catholic Guilt’ Returns for the Fifth Annual Philadelphia Theatre Week
A bizarro fusion of indolence, violence, nudity, sex, and dance
View More RED LODGE, MONTANA (The Antidote): 2019 Fringe review
Red Lodge, Montana is The Antidote’s Fringe love letter to Lynch
View More Fringe preview: An unapologetic love letter to David Lynch
A sketch-comedy, drinking play designed to get you drunk while making you laugh at the absurdities of over-imbibing.
View More BYE BYE LIVER (Happy Hour Live, LLC): 2017 Fringe review
At 800+ pages, Fyodor Dostoevsky’s The Brothers Karamazov would not seem ideally suited to theatrical interpretation.
View More DELIRIUM (EgoPo): 60-second review
Impressive theatricality in an imperfect production of Orwell’s allegory of the Russian Revolution and Stalin’s real-life dystopia.
View More ANIMAL FARM (Luna): From pig to (wo)man, and from (wo)man to pig
Sebastian describes SHOWBIZ as “part theater, part concert special, part social commentary extravaganza.”
View More There’s No Bizness like SHOWBIZ: Sebastian has a new show