More engrossing, more alienating, and more disciplined than its predecessor.
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Tag: Kate Czajkowski
HELLO BLACKOUT! (New Paradise Laboratories): 2017 Fringe review
How can a radically plotless work communicate a complex and controversial theory?
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What Can The Wilma Do With $10 Million?
A new $10 million in funds includes money for an updated facade, a cafe space, and a 10-member artistic company.
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GREAT EXPECTATIONS (Arden): Exceeds all expectations
With a perfect combination of passion, pride, storytelling, and imagination, the Arden Theatre Company’s production of GREAT EXPECTATIONS is a thrilling night of theater.
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THE ADULTS (New Paradise Laboratories): Fringe Review 20.2
Whit MacLaughlin is going off the deep end with this one. Are you willing to jump in with him? New Paradise Laboratories’ handsomely crafted, meticulously acted, and totally weird production, is not easily accessible. Nothing much can be taken literally here, and the production doesn’t reward searching for specific meanings as it creates its own tilted world with its own skewed logic.
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THE ADULTS (New Paradise Laboratories): Fringe Review 20
Rhrough minimal, absurd dialogue and highly stylized, disjointed movement, the ensemble-devised work evokes the boredom and bad behavior of a privileged vacationing family of film artists and their guests.
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DON JUAN COMES HOME FROM IRAQ (Wilma): A Disparate Jigsaw
Call it Don Juan or Don Giovanni, the Don Juan story, handed down through time, is pre-loaded with a mix of serious and comic elements and a supernatural dimension. DON JUAN COMES HOME FROM IRAQ, from theater luminaries Paula Vogel (playwright) and Banka Zizka (director), has the gravitas down and doesn’t lose sight of humor, but extra pieces lodge within this puzzle’s slippery treatment of time and reality.
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ASSISTANCE (Wilma): 60-second review
Cutting close to the bone, Lesley Headland’s ASSISTANCE is a protest, as provocative as Sophie Treadwell’s Machinal (1928), exposing the Darwinian-exploitative nature of the 2013…
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