There are many, many moments that become stories.
View More NOT RIGHT NOW (James Christy): 2022 Fringe review
Tag: Fringe Festival
10 Picks for the 2020 Philadelphia Fringe Festival
The Fringe Festival kinda crept up on us this year, but here are a few shows we’re looking out for this festival.
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Philadelphia Theater Calendar September 2019
Over 125 theater shows in Philadelphia this month. A (perhaps) complete list to everything onstage in September.
View More Philadelphia Theater Calendar September 2019
Letter from Edinburgh: A dilettante at large reviews
Toby Zinman reviews shows from the 2019 Edinburgh Fringe
View More Letter from Edinburgh: A dilettante at large reviews
TIAN WEN: Heavenly Questions for Modern Times (Hua Hua Zhang’s Visual Expressions): 2018 Fringe review
Am I dreaming of being a butterfly or is the butterfly dreaming of being me?
View More TIAN WEN: Heavenly Questions for Modern Times (Hua Hua Zhang’s Visual Expressions): 2018 Fringe review
A Three-Man Show About Two One-Man Shows: CSz Philadelphia’s TWO-MAN ONE-MAN
TWO-MAN, ONE-MAN is a three-man show—about two one-man shows—being performed as a two-man show.
View More A Three-Man Show About Two One-Man Shows: CSz Philadelphia’s TWO-MAN ONE-MAN
Right Hand Woman: An interview with Emily Zeck, PTC’s managing director
Emily Zeck brings a wealth of experience to her new role as Philadelphia Theatre Company’s managing director.
View More Right Hand Woman: An interview with Emily Zeck, PTC’s managing director
Fringe in Sketch: THE TURN OF THE SCREW (Leila and Pantea Productions)
Leila and Pantea Productions creates art that engages audiences in new ways.
View More Fringe in Sketch: THE TURN OF THE SCREW (Leila and Pantea Productions)
THE TURN OF THE SCREW (Leila and Pantea Productions): 2017 Fringe review
An inventive and terrifying take on a classic ghost story
View More THE TURN OF THE SCREW (Leila and Pantea Productions): 2017 Fringe review
BIND (Corinna Burns): 2017 Fringe review
An ambitious, unfinished work by one of Philadelphia’s best.
View More BIND (Corinna Burns): 2017 Fringe review
WE SHALL NOT BE MOVED (Opera Philly): 2017 Fringe review
Relevant themes and ideas rarely seen on an opera stage
View More WE SHALL NOT BE MOVED (Opera Philly): 2017 Fringe review
MONARCH (Christine Doidge): 2017 Fringe review
This Fringe bestows upon its subjects a thoroughly enjoyable hour becoming acquainted with Her Royal Majesty, regnant Queen Elizabeth I of England, and her cousin…
View More MONARCH (Christine Doidge): 2017 Fringe review
MARX IN SOHO (Iron Age Theatre): 2017 Fringe review
Marx has returned from heaven to explain his now distorted ideas and ideals to a modern audience.
View More MARX IN SOHO (Iron Age Theatre): 2017 Fringe review
LIFE LINES (Tangle Movement Arts): 2017 Fringe review
LIFE LINES reveals another color of Tangle Movement Arts: the darker and melancholy side of human-beings.
View More LIFE LINES (Tangle Movement Arts): 2017 Fringe review
HOPE STREET (Christine Rich): 2017 Fringe Review
Bravo, Christine Rich, your grandfather Jimmy’s Irish eyes surely are smiling down on you.
View More HOPE STREET (Christine Rich): 2017 Fringe Review
I’M OK, ARE YOU OK? (PHIT Comedy): 2017 Fringe review
For Molly Scullion, the only way out is through comedy.
View More I’M OK, ARE YOU OK? (PHIT Comedy): 2017 Fringe review
Fringe in Sketch: FORE-IGN/ FORE-OUT
The movement was very inspiring, and the diversity of the show was all encompassing.
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CITIZEN (Reggie Wilson/Fist and Heel Performance Group): 2016 Fringe review 30
Wilson and his dancers beautifully articulate humankind’s desire to belong.
View More CITIZEN (Reggie Wilson/Fist and Heel Performance Group): 2016 Fringe review 30
WHO WOULD BE KING (Liars and Believers): 2016 Fringe review 15
An ancient story with artful clowning and spacy synth score.
View More WHO WOULD BE KING (Liars and Believers): 2016 Fringe review 15
LEVÉE DES CONFLITS (Boris Charmatz): 2016 Fringe review 7
Between chaos and synchronicity, individualism and collectiveness, exists the human search for life without conflict.
View More LEVÉE DES CONFLITS (Boris Charmatz): 2016 Fringe review 7