Driving by in cars like a slow-moving funeral procession, we get new perspectives from an all-female cast
View More A Period of Drastic Change and Reordering: Interview with THE WAY OUT artists and performers.Tag: Eppchez
The Way Out: New life at Laurel Hill Cemetery with an all-female ensemble of theater artists and aerialists
A never-performed before multi-arts show on wheels for Fringe audiences
View More The Way Out: New life at Laurel Hill Cemetery with an all-female ensemble of theater artists and aerialistsFour Theatermakers (Re)Focus on Diversity
The second (re)Focus Fest brings together four companies using performance to spark discussion about narrative, perspective, and history.
View More Four Theatermakers (Re)Focus on DiversityCLOSE MUSIC FOR BODIES (Michael Kiley): 2017 Fringe review
Anyone who has sung around a campfire can attest to the power of music to elicit feelings of closeness
View More CLOSE MUSIC FOR BODIES (Michael Kiley): 2017 Fringe reviewTheater in Sketch: HIR (Simpatico)
Simpatico Theatre Company’s production of HIR by Taylor Mac challenges audiences to reconsider preconceptions of gender identity
View More Theater in Sketch: HIR (Simpatico)HIR (Simpatico): We are all everything
Author’s note: Taylor Mac uses “judy” as a gender pronoun. This review reflects Mac’s preference. Taylor Mac’s work is unwieldy and absurdist, challenging and unsettling.…
View More HIR (Simpatico): We are all everythingTHEY EXTRACT! (Alma’s Engine): Love is a verb
In a dystopian future where love is a tangible commodity, Vera and Woolen fight to keep their love for themselves and each other.
View More THEY EXTRACT! (Alma’s Engine): Love is a verb