You’ll find much beauty in the vast halls of Convention Center.
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Tag: dilettante at large
Toby Zinman is a dilettante at large in this series of reviews which take on art forms outside her professional comfort zone, theater.
DON PASQUALE (AVA): A Dilettante at Large review
Our dilettante at large reviews Academy of Vocal Arts’ South Philly themed production of Donizetti’s comic opera
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Carmina Burana + Credo (Opera Philly): A dilettante at large review
The Dilettante at Large is at large again, writing about the culture as an enjoyer rather than an expert. Her latest pleasure was Opera Philly’s…
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BIG APPLE CIRCUS: A dilettante at large review
Where are the great acts I remembered? The trained cats? the galloping horses? the iron men? the Wheel of Death?
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MODIGLIANI UP CLOSE at the Barnes: A dilettante at large reviews
Modigliani at the Barnes Foundation is a ravishing exhibition in a ravishing venue.
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RIGOLETTO (Opera Philadelphia): A Dilettante at Large reviews
Dilettante at Large (Toby Zinman) has awakened from her long pandemic slumber, and is once again writing about stuff she knows little about but enjoys, unlike theater which she knows quite a lot about and doesn’t always enjoy.
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LET ME DIE (Joseph Keckler): 2019 Fringe review
Spoilers puts it mildly: She dies. He dies. They die.
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CANDIDE (Philadelphia Orchestra): A dilettante at large review
A dilettante at large Toby Zinman reviews Candide by Leonard Bernstein.
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A dilettante at large reviews RIDERS TO THE SEA/ EMPTY THE HOUSE (Curtis Opera)
Theater critic extraordinaire Toby Zinman continues her forays into other art forms with a visit to Kimmel Center’s Perelman Theatre to see two one-act operas presented by the Curtis Opera Theatre
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KODO: A dilettante at large enjoys the Japanese drum troup
Toby Zinman feels the Japanese rhythms of KODO drum troupe.
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What A Lark: The dilettante at large has A MIDSUMMER NIGHT’S DREAM with Opera Philly
Visually, musically, and vocally gorgeous, this is a delectable MIDSUMMER NIGHT’S DREAM.
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Barbies Before the Fact: A dilettante at large sees new exhibitions at the PMA
A dilettante at large considers two exhibitions at the Philadelphia Museum of Art
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A dilettante at large considers Philly After Dark at the Athenaeum
A whimsical and educational show combining images of the city by moonlight, gaslight, electric light, fire and lightning.
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A dilettante at large reviews NE QUITTEZ PAS (Opera Philadelphia)
What a complicated evening, filled with gorgeous singing and roiled emotions and puzzling theatrics
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A Dilettante at Large reviews two new shows at the Philadelphia Museum of Art
Toby Zinman considers “Rachel Rose: Wil-o-Wisp/The Future Fields Commission” and “Biting Wit and Brazen Folly: British Satirical Prints, 1780s–1830s”
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A Dilettante at Large: THE RESTAURANT SCHOOL AT WALNUT HILL COLLEGE
All this dilettanting around town can make a critic hungry
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A Dilettante at Large goes to Penn Museum
Toby Zinman gives her thoughts on the new Middle East galleries at the University of Pennsylvania Museum of Archaeology and Anthropology
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A dilettante at large: LEONARD BERNSTEIN: THE POWER OF MUSIC (NMAJH)
If you’re a Leonard Bernstein fan, don’t miss the terrific new exhibit at the National Museum of American Jewish History.
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A dilettante at large: A QUIET PLACE (Curtis Institute of Music)
The Curtis Institute of Music and Opera Philadelphia’s stunning production Leonard Bernstein’s opera, A Quiet Place, is one of many worldwide celebrations of his centennial;
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A dilettante at large: WRITTEN ON SKIN (Opera Philadelphia)
Philadelphia’s premiere drama critic, Toby Zinman knows her theater. Opera, not so much. Here’s her dilettante review of Opera Philadelphia’s WRITTEN ON SKIN.
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