Freda Payne does some lovely singing in ELLA: FIRST LADY OF SONG, a biographical tribute to Ella Fitzgerald
View More ELLA: FIRST LADY OF SONG (Delaware Theatre Company): Channeling Ella FitzgeraldTag: Delaware Theatre Company
HEISENBERG (Delaware Theatre Co.): 60-second review
What? Him again? Yes and no.
View More HEISENBERG (Delaware Theatre Co.): 60-second reviewBarrymore Awards Nominations
Industry insiders vote on their favorite shows and artists in their community from the preceding theater season. The resulting awards recognize the best that Philly stages have to offer, and also musicals.
View More Barrymore Awards NominationsTAPPIN’ THRU LIFE (DTC): A Las Vegas lounge life
A revue, and review, of performer Maurice Hines’s life.
View More TAPPIN’ THRU LIFE (DTC): A Las Vegas lounge lifeFrom the UK to Philadelphia to Broadway: An interview with actor Harry Smith
British-born actor Harry Smith talks about his background in the UK, his life and career in Philadelphia, and his upcoming debut on Broadway.
View More From the UK to Philadelphia to Broadway: An interview with actor Harry SmithFringe Preview: THE LIGHT PRINCESS (Tony Lawton with Ugly Stepsister)
The creators/performers of THE LIGHT PRINCESS discuss the development of their adaptation of the 19th-century Scottish fairytale before its workshop production in the Fringe.
View More Fringe Preview: THE LIGHT PRINCESS (Tony Lawton with Ugly Stepsister)BECAUSE OF WINN-DIXIE (DTC): A child and her dog steal a charming musical
It’s an old show biz maxim, and true, that an adult cannot expect full attention if he or she is working on stage with a dog or a child.
View More BECAUSE OF WINN-DIXIE (DTC): A child and her dog steal a charming musicalNORA (DTC): A riveting production of a feminist classic
Ingmar Bergman’s 1981 stage adaptation of Ibsen’s A Doll’s House is pared-down, focused, and intense. By reducing Ibsen’s original lengthy script by nearly half, Bergman endows the 19th-century feminist milestone with a post-modern clarity and import.qD
View More NORA (DTC): A riveting production of a feminist classic