Skip to content
Thursday, November 20, 2025
phindie

phindie

An independent take on Philadelphia theater and arts

about . contact . advertising . support

phindie
  • Reviews
  • Features
    • Interviews
  • Theater
  • Dance
  • Music
  • Film
  • Visual Arts
  • Podcasts

Tag: Crack The Glass Theatre Company

4Play Crack the Glass Theatre Company 2013 Philadelphia Fringe review
Fringe Festival Fringe reviews Reviews Theater

[4] 4PLAY (Crack the Glass Theatre Company): Fringe review

Christopher Munden September 6, 2013 No Comments

Short plays by unknown playwrights, mixed performances by rarely seen actors, an upstart company that takes statement-making risks: this is what the Fringe is all…

View More [4] 4PLAY (Crack the Glass Theatre Company): Fringe review
Fringe Festival Previews Theater

10 Picks for 2011 Philadelphia Live Arts Festival and Philly Fringe

Christopher Munden September 11, 2011 No Comments

This year marks the 15th anniversary of the Live Arts Festival and Philly Fringe, and the 2011 edition looks bigger andbetter than ever. The Live Arts…

View More 10 Picks for 2011 Philadelphia Live Arts Festival and Philly Fringe
Interviews Theater

Bringing Women’s Voices to the Stage: an interview with Polly Rose Edelstein of Crack the Glass Theatre Company

Christopher Munden June 1, 2011 No Comments

It’s a common complaint: few good roles exist for female actors in Philadelphia. Indeed even your most ardent male feminist (self-proclaimed) tends to turn his…

View More Bringing Women’s Voices to the Stage: an interview with Polly Rose Edelstein of Crack the Glass Theatre Company

Support Phindie operations
Donate Button with Credit Cards

Subscribe

* indicates required
/* real people should not fill this in and expect good things - do not remove this or risk form bot signups */

Intuit Mailchimp

Now Trending…

  • MACBETH (Lantern): Dancing, singing… and murder by Kathryn Osenlund
  • Riverdance 30- The New Generation: Interview with fiddler Haley Richardson by Debra Danese
  • DO YOU WANT A COOKIE? (Bearded Ladies Cabaret): 2018 Fringe review by Smalley Bogg
  • Opening Doors, No Matter What: OSLO playwright J.T. Rogers talks about the evolution of a new world classic, developed at PlayPenn (part 1) by Henrik Eger
  • PANGAEA: A Folk Opera (Hum’n’bards): 2016 Fringe review 27 by Dorie Byrne
phindie | Designed by: Theme Freesia | WordPress | © Copyright All right reserved