One of Shakespeare’s greatest hits, his first comedy, The Comedy of Errors, is playing at the Lantern Theater Company until June 16. Twins, shipwreck, mistaken…
View More THE COMEDY OF ERRORS (Lantern): Twins, shipwreck, mistaken identity, romance gone awry
Even the most hallowed document is no match for a teenage girl, as Heidi Schreck reveals in her play, What the Constitutions Means to Me.…
View More WHAT THE CONSTITUTION MEANS TO ME (Arden): A witch’s cauldron of sometimes magic
Shakespeare wrote Twelfth Night (1599-1600), one of his few fantasy plays, immediately before he penned his incomparable Hamlet (1600-1601). As Artistic Director Charles McMahon describes…
View More TWELFTH NIGHT (Lantern): Some are born great
“Shall we set about some revels?” Yes! The battle begins: Lantern Theater Company opened its excellent and enjoyable production of Shakespeare’s Twelfth Night; soon to…
View More TWELFTH NIGHT (Lantern): Shall we set about some revels?
Chosen by Committee podcasters Josh Herren and Christopher Munden tear themselves from the Pulitzer bookcase to see a live Pulitzer-winning show.
View More Pulitzer Podcast Review: STREETCAR NAMED DESIRE at the Arden
GEM OF THE OCEAN is about a lot of things, including race, mysticism, and murder.
View More GEM OF THE OCEAN (Arden): A thing of beauty
Maria Marten or The Murder in the Red Barn by the Philadelphia Artist Collective found the silly in the serious
View More Theater in Sketch: MARIA MARTEN, or The Murder in the Red Barn (PAC)
Now in its world premiere from Lantern Theater, the latest play by Philly’s favorite playwright Bruce Graham is based on a true story. It’s a great story.
View More THE CRAFTSMAN (Lantern): Crafting a good story
I, PEASEBLOSSOM was a great character study for me. I wanted to keep capturing the many sides of Brian McCann.
View More Fringe in Sketch: I, PEASEBLOSSUM (Curio Theatre)
I, PEASEBLOSSOM is a lark, even compared to its light-hearted inspiration, A Midsummer Night’s Dream.
View More I, PEASEBLOSSOM (Curio): 2017 Fringe review
The Lantern team transforms an essentially all-talk playscript into an engaging, living piece of theater.
View More THE GOSPEL ACCORDING TO THOMAS JEFFERSON, CHARLES DICKENS & COUNT LEO TOLSTOY: DISCORD (Lantern Theater Company): Locked in limbo with literati
PAC gives the Jacobin the veneer of a mid-20th century hard-boiler. Sketches by Chuck Schultz.
View More THE WHITE DEVIL (PAC): A bloody good thriller
With a strong cast and design wizards the Lantern has made CORIOLANUS a visceral, lively and thought-provoking experience
View More CORIOLANUS (Lantern): Succeeding with a Shakespeare many companies wouldn’t attempt
Curio’s designers have created a bubble of no time, no place, in which anything or nothing can happen.
View More WAITING FOR GODOT (Curio): Highlighting the hilarity of Beckett’s classic
PAC’s current production confirms its reputation as the best adaptor of classic works.
View More ALL’S WELL THAT ENDS WELL (PAC): A mingled web well woven
Sketches of William Shakespeare’s ALL’S WELL THAT ENDS WELL from Philadelphia Artists’ Collective.
View More Theater in Sketch: ALL’S WELL THAT ENDS WELL (PAC)
Act II Playhouse gets all dramatic with Theresa Rebeck’s MAURITIUS
View More MAURITIUS (Act II): Feeling the philatelia
This adaptation by master Irish playwright Conor McPherson finds its horror in the claustrophobic relationships between its four characters
View More THE BIRDS (Curio): Terror takes flight
Leonid Andreyev’s classic tale of love and death in the Big Top is given original interludes of circus acts and live music to set the stage and mood.
View More HE WHO GETS SLAPPED (PAC): Spectacle and sadness at the circus
Curio’s production underscores the delusion and the rawness of the lives of the Loman family.
View More DEATH OF A SALESMAN (Curio): Bringing Arthur Miller to life