Industry insiders vote on their favorite shows and artists in their community from the preceding theater season. The resulting awards recognize the best that Philly stages have to offer, and also musicals.
View More Barrymore Awards NominationsTag: Arden Theatre Company
News and reviews for the Arden Theatre Company in Philadelphia.
THE SUMMER CLUB (Arden): Come swing with us
With all the class of a swank 60s nightclub, Jeff Coon and friends swing in the summer with a Rat Pack-style musical revue
View More THE SUMMER CLUB (Arden): Come swing with usTHE BALLAD OF TRAYVON MARTIN (New Freedom): When a play makes you feel something
New Freedom Theatre’s latest teaches us that anger is a valid reaction to any play that depicts racial injustice.
View More THE BALLAD OF TRAYVON MARTIN (New Freedom): When a play makes you feel somethingTHE SECRET GARDEN (Arden): Captivating mystery and haunting artistry
A superb cast and creative artistic design bring the story of traumatic loss and joyful renewal to life in the haunting musical adaptation of a Victorian classic.
View More THE SECRET GARDEN (Arden): Captivating mystery and haunting artistryKRISSY FRAELICH (Arden Cabaret): 60-second review
Fraelich proves her mettle as a singer who can move as much as impress you.
View More KRISSY FRAELICH (Arden Cabaret): 60-second reviewDear White People: TWO TRAINS RUNNING is not a play about race
A critic evaluating TWO TRAINS RUNNING is not an anthropologist studying another culture through their artifacts.
View More Dear White People: TWO TRAINS RUNNING is not a play about raceTWO TRAINS RUNNING (Arden): 1969, Pittsburgh
August Wilson is a really good playwright. That’s hardly a bold critical statement, but it’s one confirmed by this vivid production at Arden Theatre Company.
View More TWO TRAINS RUNNING (Arden): 1969, PittsburghBuilding a Diverse Audience for Theater: Interview with playwright/actor/director Kash Goins
How can theater attract people of all socio-economic, educational, and ethnic backgrounds?
View More Building a Diverse Audience for Theater: Interview with playwright/actor/director Kash GoinsFUNNYMAN (Arden): Comedy on the brink of tragedy
A new play by Bruce Graham considers the sadness that often underlies comedy and the need to adapt to changing styles and the struggles of life.
View More FUNNYMAN (Arden): Comedy on the brink of tragedySecond Acts: Top Philly playwright Bruce Graham talks FUNNYMAN and life in the theater
When you think Philadelphia theater, you think Bruce Graham. He shares his thoughts about his latest play, the state of theater in Philadelphia, and the art of writing plays.
View More Second Acts: Top Philly playwright Bruce Graham talks FUNNYMAN and life in the theaterReflections on Playwriting: A personal interview with Walt Vail, one of Philadelphia’s most experienced playwrights
Part two of a multi-part interview with one of Philadelphia’s oldest and most prolific playwrights.
View More Reflections on Playwriting: A personal interview with Walt Vail, one of Philadelphia’s most experienced playwrightsHANS BRINKER AND THE SILVER SKATES (Arden): The sweet rewards of hope, understanding, and kindness
A world-premiere stage adaptation of Mary Mapes Dodge’s 19th-century children’s story delivers a clear message about the importance of kindness and understanding.
View More HANS BRINKER AND THE SILVER SKATES (Arden): The sweet rewards of hope, understanding, and kindnessEQUIVOCATION (Arden): They made him an offer he can’t refuse
In the wake of the Gunpowder Plot of 1605, Shakespeare is summoned to take on a play commission for the Crown.
View More EQUIVOCATION (Arden): They made him an offer he can’t refuseMETAMORPHOSES (Arden): A swim with the gods
This visceral production explains why humans act the way that we do, and reveres love as the most sacred of experiences.
View More METAMORPHOSES (Arden): A swim with the godsDiving into METAMORPHOSES: A watery stage takes shape at the Arden
A look at the building of the impressive set for the Arden production of METAMORPHOSES.
View More Diving into METAMORPHOSES: A watery stage takes shape at the ArdenHOW TO WRITE A NEW BOOK FOR THE BIBLE (People’s Light): Old pros take on a new book
HOW TO WRITE A NEW BOOK FOR THE BIBLE is a story about a life, a biography centered on the changing regard we have for our parents as we see them age.
View More HOW TO WRITE A NEW BOOK FOR THE BIBLE (People’s Light): Old pros take on a new bookPASSION (Arden): Pretty anticlimactic
Excerpted from NealsPaper.com by kind permission. Stephen Sondheim’s musical PASSION comes to a pivotal point at which a young soldier, Giorgio (Ben Michael), suddenly becomes deeply…
View More PASSION (Arden): Pretty anticlimacticTHE JUNGLE BOOK (Arden): Merging morals with make-believe
Based on British author Rudyard Kipling’s series of exotic children’s stories inspired by his childhood in India, THE JUNGLE BOOK is now an engaging family play, celebrating its world premiere at Arden Children’s Theatre.
View More THE JUNGLE BOOK (Arden): Merging morals with make-believeMACBETH (Arden): Rare emotion and rarer straightforwardness [critical mass review #5]
The elements which displease other writers are what makes this production a success, according to Michael Fisher in review five of the ongoing Critical Mass series.
View More MACBETH (Arden): Rare emotion and rarer straightforwardness [critical mass review #5]MACBETH (Arden): Shakepeare as spectacle [critical mass review #4]
It’s the fourth installment of the Critical Mass review of MACBETH at the Arden, but Julius Ferraro thinks too many works have already been written about an unremarkable piece of theater.
View More MACBETH (Arden): Shakepeare as spectacle [critical mass review #4]