A bizarro fusion of indolence, violence, nudity, sex, and dance
View More RED LODGE, MONTANA (The Antidote): 2019 Fringe review
Tag: Anthony Crosby
Fringe preview: An unapologetic love letter to David Lynch
Red Lodge, Montana is The Antidote’s Fringe love letter to Lynch
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A MIDSUMMER NIGHT’S DREAM (Mechanical Theater): Spiriting Shakespeare at Laurel Hill
Double dealing, doubling of characters, double entendre and double dating, of a sort, are doubly fun to watch.
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TWO GENTLEMEN OF VERONA (EgoPo): High-spirited and delightfully messy
This musical theater version of Shakespeare’s Two Gentlemen of Verona, launches EgoPo’s season as a cabaret/fundraiser.
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DRACULA: A GOTHIC MYSTERY (Mechanical Theater): Magnificently mesmerizing at Laurel Hill Cemetery
The Mechanical Theater has succeeded in reviving Bram Stoker’s Dracula.
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DELIRIUM (EgoPo): 60-second review
At 800+ pages, Fyodor Dostoevsky’s The Brothers Karamazov would not seem ideally suited to theatrical interpretation.
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Deb Miller’s Top Picks for the 2016 Philadelphia Fringe Festival
Can’t decide what to see in the 2016 Philadelphia Fringe Festival? Check out Deb Miller’s recommendations in her annual top picks preview.
View More Deb Miller’s Top Picks for the 2016 Philadelphia Fringe Festival
THE IT GIRL (Simpatico): Sounds of silence that still resonate
A world-premiere fictionalized bio-play on silent-film star Clara Bow captures the era and the lessons of her life and career as seen through a contemporary lens.
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K.O. DelMarcelle: Maintaining versatility with an eye on the future
Barrymore Award-nominated actress and choreographer K.O. DelMarcelle talks about her past experiences, current life, and future aspirations.
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LA RONDE (Brenna Geffers): Moving around and switching around Schnitzler
A new site-specific re-envisioning of Schnitzler’s 19th-century play brings post-modern import to his now-historic examination of socio-sexual mores.
View More LA RONDE (Brenna Geffers): Moving around and switching around Schnitzler
JUMP THE MOON (Philadelphia Opera Collective): 2015 Fringe review 57.2
o subtitles necessary to hear praises sung for women astronomers of the late 19th century.
View More JUMP THE MOON (Philadelphia Opera Collective): 2015 Fringe review 57.2
JUMP THE MOON (Philadelphia Opera Collective): 2015 Fringe review 57.1
An experimental world-premiere opera gives voice to the unsung women heroes of astrophysics at Harvard in the 1890s, with a cutting-edge score, non-linear libretto, and expressionist movement.
View More JUMP THE MOON (Philadelphia Opera Collective): 2015 Fringe review 57.1