Why Deaf Theater is a Form of Resistance
This film follows Daymond Sands, a Deaf theatre program director, preparing his first original showcase, highlighting the cast’s heartfelt effort to bring Deaf perspectives center stage
Cameron Kelsall has some ideas for the new executive director.
View More How should Philadelphia Theatre Company rebrand itself?PARROT TALK follows a simple narrative arc of a woman dying on her way to the grocery store; however, nothing about her journey is linear.
View More PARROT TALK (Julius Ferraro): Like a sound wave begging to be heardPhindie met Katherine and Sarah online to get the lowdown on their collaborative project
View More G-chatting the Gift of Life: Talking POLLYANNA with Katherine Perry and Sarah KnittelIn celebration of it’s 47th year, PHILADANCO/The Philadelphia Dance Company presented BLACK STEAM, featuring two new works and two old ones.
View More BLACK STEAM (Philadanco): A multitude of oneThey dusted off the rarely used Forrest Theater for this touring production of Hedwig and the Angry Inch, a twenty-year-old rock musical which was itself recently dusted off for a 2014 Broadway revival.
View More HEDWIG AND THE ANGRY INCH (Forrest Theater): She’s coming for youA multipart new exhibition project exploring the detective, criminal, and all the analogs in between
View More Making Connections: WE THE DETECTIVES at the Free Library and RosenbachThe Arden Theatre Company’s world premiere of THE LIGHT PRINCESS mixes up a elixir of make-believe
View More THE LIGHT PRINCESS (Arden): An elixir of make-believeThe narrative of the play dances around anxiety, narcissism, and companionship, and the cards let truth be told.
View More Dance in Sketch: Faye Driscoll’s THANK YOU FOR COMING: PLAY (FringeArts)A recent article on Philly.com displays a falls into a reductive yet prevalent view of theater as the province of New York
View More “New York-caliber actors”: How NYC-centrism hurts regional theatercombines the complex questions of humanity, (such as ‘Why am I here?’) with the natural improvisation life requires, and expresses it physically alongside a healthy dose of humor.
View More #IAMMADEOFSTARS (Almanac): Artistes of the floating worldPhiladelphia’s favorite circus art troupe Tangle Movement Arts was back in Old City’s Neighborhood House on April 7 and 8. Ever-changing and always in search…
View More POINTS OF LIGHT (Tangle Movements Arts): Feminine, powerful, innovativeThe program was quick and accumulative, with short pieces creating a common theme.
View More Dance in Sketch: Jessica Lang Dance (NextMove)ROMANCE showcases the diversity and beauty of the Pennsylvania Ballet’s dancers.
View More ROMANCE (PA Ballet): Fall in love with a provocative and diverse programJames talked to Phindie about the genesis of WHITE and its development at PlayPenn, a Philadelphia-based organization for the development of new plays.
View More WHITE: James Ijames on PlayPenn and PlaywritingAn intricate show with a captivating journey maintained with ease through each scene.
View More SHADOWLAND (Pilobolus Dance Theater): A dynamic journeyMelancholy John Ford was more ‘himself’ and less ‘Shakespearean’ than other less bold Cavalier dramatists.
View More THE BROKEN HEART (Quintessence): Dark matterLang’s choreographies, and the movement of her dancers, give the impression of being settling and modest.
View More JESSICA LANG DANCE (NextMove Dance): Simply beautiful and vocalWhat a funny, nasty, smart show.
View More HAND TO GOD (PTC): The human comedy with sock puppetsThis brilliant Kander and Ebb show is about the decadence of Weimar Germany and the rise of Nazism
View More CABARET (Roundabout Theatre): Tomorrow belongs to…A loose adaptation by Brenna Geffer and her ensemble based on the novel, Anna Karenina by Leo Tolstoy.
View More Theater in Sketch: ANNA (EgoPo)