[NYC] CAMELOT (Lincoln Center): Back to the round table
Sometimes cynical, ultra-cool critical disdain—much in evidence these days— just won’t do. I loved this show; it’s filled with wonderful songs and wonderful singers, an…
View More [NYC] CAMELOT (Lincoln Center): Back to the round tableLADY DAY AT EMERSON’S BAR & GRILL (PTC): A living portrait and an evening of wonderful songs
At 15th & Bainbridge—only a few blocks from Philadelphia Theatre Company’s stage at Broad & Lombard—there stood a legendary dive bar called Emerson’s. Jazz greats—John…
View More LADY DAY AT EMERSON’S BAR & GRILL (PTC): A living portrait and an evening of wonderful songsESCAPE TO MARGARITAVILLE (Walnut Street): A wackadoodle of a show
What a wackadoodle of a show! Part party, part pop musical, the Walnut Street Theatre’s production of Jimmy Buffett’s hit is an enjoyable evening, but…
View More ESCAPE TO MARGARITAVILLE (Walnut Street): A wackadoodle of a showRADIO GOLF (Arden): Hearts on one side, heads on the other
A crippling honesty and family ties mark August Wilson’s Radio Golf, a play that flows with humor along with sharply incisive dialogue and a clever story line.
View More RADIO GOLF (Arden): Hearts on one side, heads on the other[NYC] SWEENEY TODD (Lunt-Fontanne): How to review a show that is just about perfect?
I should have such a problem all the time: how to review a show that is just about perfect.
View More [NYC] SWEENEY TODD (Lunt-Fontanne): How to review a show that is just about perfect?JOHNNY DEPP: A RETROSPECTIVE ON LATE STAGE CAPITALISM (Jenna Kuerzi): A coin-tossing good time
Funny, eye opening, and sometimes maddening in its acknowledgement of how our society worships celebrities.
View More JOHNNY DEPP: A RETROSPECTIVE ON LATE STAGE CAPITALISM (Jenna Kuerzi): A coin-tossing good timeTHE AMERICAN REVOLUTION (Theatre Unspeakable): An historical miss
The American Revolution has an intrinsic connection to the city of Philadelphia, and as a story, it has been adapted many times over with successful…
View More THE AMERICAN REVOLUTION (Theatre Unspeakable): An historical missFive O’Clock Somewhere: Interview with Escape to Margaritaville’s Lisa Stevens
With credits spanning the globe, director Lisa Steven’s latest project brings her to Philadelphia. Lisa was brought in by Walnut Street Theatre’s president and producing…
View More Five O’Clock Somewhere: Interview with Escape to Margaritaville’s Lisa StevensSIX (National Tour): The merry wives of Henry VIII
And now, “live in consort,” the six wives of Henry VIII: “divorced, beheaded, died, divorced, beheaded, survived.”
View More SIX (National Tour): The merry wives of Henry VIIIA Fairytale Tour: Interview with Into the Wood’s Erica Durham
Philadelphia resident Erica Durham is keeping busy on the national tour of Into The Woods.
View More A Fairytale Tour: Interview with Into the Wood’s Erica Durham[NYC] PARADE (Bernard R. Jacobs Theatre): An all too familiar morality lesson
Well, of course I know they were clapping for the cast and not the characters, but there was something creepy about hundreds of people—some of…
View More [NYC] PARADE (Bernard R. Jacobs Theatre): An all too familiar morality lessonDivorced, beheaded, died, survived: Interview with Aryn Bohannon of SIX
Aryn Bohannon plays each of the six wives of Henry VIII in the National Tour of SIX, in Philadelphia March 21-April 9
View More Divorced, beheaded, died, survived: Interview with Aryn Bohannon of SIXCATS (National Tour): 60-second review
CATS goes camp!
View More CATS (National Tour): 60-second reviewContinuing the Legacy: Balanchine Répétiteur Colleen Neary returns for Philadelphia Ballet’s Dancing With Gershwin
Philadelphia Ballet continues to honor its Balanchine roots with the spring production of Dancing With Gershwin.
View More Continuing the Legacy: Balanchine Répétiteur Colleen Neary returns for Philadelphia Ballet’s Dancing With GershwinTHE SLEEPING BEAUTY (Philadelphia Ballet): A magnificent classic
Philadelphia Ballet kicks off the latter half of its 2022-2023 season with a stunning production of THE SLEEPING BEAUTY, one of the best-known works of…
View More THE SLEEPING BEAUTY (Philadelphia Ballet): A magnificent classicTHE TEMPEST (Quintessence): Full of magic
There’s magic and mystery as wonderfully costumed characters come alive to dance, sing, cavort, wrestle, draw swords, threaten violence, and show mercy
View More THE TEMPEST (Quintessence): Full of magicTHE BEAR & AFTERPLAY (Irish Heritage Theatre): An unbalanced take on Chekov
Two one act plays from playwright Brian Friel, as he takes on some of Anton Chekov’s work
View More THE BEAR & AFTERPLAY (Irish Heritage Theatre): An unbalanced take on ChekovTHE PHILADELPHIA FLOWER SHOW: A dilettante at large review
You’ll find much beauty in the vast halls of Convention Center.
View More THE PHILADELPHIA FLOWER SHOW: A dilettante at large reviewWINTER SERIES 2023 (BalletX): Past and present
BalletX’s 2023 Winter Series sees the company reaching back into their past and looking to the future, with new or reconsidered works by three contemporary…
View More WINTER SERIES 2023 (BalletX): Past and presentCAT ON A HOT TIN ROOF (Walnut Street Theatre): A thinking play
Introducing Cat on a Hot Tin Roof as “a thinking play,” Tennessee Williams wrote to his audiences: “I want to go on talking to you…
View More CAT ON A HOT TIN ROOF (Walnut Street Theatre): A thinking play