A FUNNY THING HAPPENED ON THE WAY TO THE FORUM (Walnut): A funny thing is happening now at the Walnut
Sondheim’s classic musical in a new production is directed by Frank Ferrante.
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CABARET (Arden): Glücklich zu sehen?
CABARET has taken on a new level of relevance, but Matthew Decker’s re-creation of Sam Mendes’ famous production remains stuck in the past.
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After the O17: A reflection on Opera Philadelphia’s brave endeavor
This bountiful menu of music had something for every taste
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THE MAGIC FLUTE (Opera Philadelphia): An animated opera in the O17 Festival
A worthy anchor of Opera Philadelphia’s inaugural O17 Festival.
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Serving Up Success: Interview with Brad Zimmerman on MY SON THE WAITER: A JEWISH TRAGEDY
My Son The Waiter: A Jewish Tragedy is actor/comedian Brad Zimmerman’s hilarious and uplifting story about the perseverance and passion needed to ‘make it’ as an artist a
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DEAR DIARY LOL (AntiGravity Theatre): 2017 Fringe review
Who would want to read their middle school diaries? The members of AntiGravity Theatre Project, that’s who.
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Fringe in Sketch: TRIAGE (Bent Antennae)
The play enters the Gray Cloud.
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ONION DANCES (Talia Mason): 2017 Fringe review
Talia Mason’s DANCES is a one-woman dance / narrative piece about her Jewish heritage
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TRIAGE (Bent Antennae): 2017 Fringe review
Let the fun begin!
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MUJERES (Evalina Carbonell and Annielille Gavino): 2017 Fringe review
Carbonell + Gavino give powerful and genuine explorations of motherhood.
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Fringe in Sketch: THE TURN OF THE SCREW (Leila and Pantea Productions)
Leila and Pantea Productions creates art that engages audiences in new ways.
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THEN THE TAIL (allendance): 2017 Fringe review
Allendance has again delivered a contemplative take on movement through effortless contact and a fresh atmospheric perspective on the intimate space that is the Iron Factory.
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ALCHEMIST (Chris Davis & Mary Tuomanen): 2017 Fringe review
A friend “knows who you are and forgives you for it.”
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CLOSE MUSIC FOR BODIES (Michael Kiley): 2017 Fringe review
CLOSE MUSIC FOR BODIES is sensual choral performance. Sixty-five of us follow the directions of the performers and position, and re-position, ourselves around the big, open…
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17C (Big Dance Theater): 2017 Fringe review
Big Dance Theater has built a reputation of articulate and speculative work, pairing theater and dance to dissect both historical and contemporary ideals. 17c is…
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TRIAGE (Bent Antennae): 2017 Fringe review
TRIAGE is a loosely formed conceit in which a manic-fairy-pixie host wearing a gas mask prances around, forcing the audience to watch bad improv. It’s…
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LIBERTY CITY RADIO THEATRE (Bill Arrowood & Liberty City Radio Theatre): 2017 Fringe review
Old style ‘On’ and ‘Applause’ signs light up. The show starts.
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THE STORYTELLERS (Joy Madden): 2017 Fringe review
“We are storytellers,” Joy Madden begins.
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Fringe in Sketch: DEAR DIARY LOL (AntiGravity Theatre Project)
Anti Gravity Theatre Project presents a theatrical excavation of their middle school diaries by staging the unaltered words found inside.
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THE MAGIC FLUTE (Opera Philadelphia): A dazzling reinvented Mozart at the O17 Festival
Opera Philadelphia challenges our preconceptions of opera with its O17 Festival
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