“It’s all a marathon, not a sprint”: Interview with Keith Illidge on Inis Nua’s production of UNTITLED
Tina Gill interviews Keith Illidge about his work and role in Inis Nua’s UNTITLED
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A dilettante at large reviews RIDERS TO THE SEA/ EMPTY THE HOUSE (Curtis Opera)
Theater critic extraordinaire Toby Zinman continues her forays into other art forms with a visit to Kimmel Center’s Perelman Theatre to see two one-act operas presented by the Curtis Opera Theatre
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UNTITLED (Inis Nua): Brother, Name, Destiny—The American premiere of Inua Ellams’ drama
Two brothers must find each other before they can find themselves.
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Official Secrets (dir. Gavin Hood): Film review
Prior to the 2003 invasion of Iraq, a low-level British Intelligence translator, Katherine Gun, found herself privy to information which indicated high-level corruption. A joint…
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The Tomorrow Man (dir. Noble Jones): Film review
What appears on its surface to be your typical “older people in love” romantic comedy turns out to be much more. Certainly, this is a…
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Philadelphia Theater Calendar May 2019
What’s onstage in Philadelphia theater in May 2019?
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Mike Wallace Is Here (dir. Avi Belkin): Film review
Mike Wallace is Here is entertaining and educational, miraculously giving us a thorough portrait free of excessive editorial spin.
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Dance in Sketch: KUN-YANG LIN/DANCERS (NextMove Dance)
An iridescent light shining on a crater with life crawling out of it.
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AVENGERS: ENDGAME (dir. Anthony Russo & Joe Russo): Film review
Avengers: Endgame had to stick the landing. It did.
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RENEWAL (Choral Arts Philadelphia): Matt Glandorf looks to Bach’s predecessors for the final Bach@7 concert of the season
Stay with us; for it is toward evening and the day is spent.
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KUN-YANG LIN/DANCERS (NextMove Dance): A dance company with a philosophy
Experiencing Kun-Yang Lin/Dancers, you may come to feel and understand what yin and yang means.
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Theater in Sketch: MASTER HAROLD… AND THE BOYS (EgoPo)
Chuck Schultz sketches one half of the “Censured” series of South African plays
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Getting to Know Annie Wilson
Annie Wilson has proven to be among the freshest, funniest, and fearless choreographers in Philadelphia. She talks to John Rosenberg.
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Luce (dir. Julius Onah): Film review
Based on a play by J.C. Lee (Warplay, Pookie Goes Grenading), this talky drama positively smolders from beginning to end
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The Grounds Shout: Reggie Wilson and local artists bring performance to sacred spaces
Grounds that Shout! (and others merely shaking), explores connections between faith, movement, race, and the body, with a focus on the African American religious experience.
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Funke (dir. Gabriel Taraboulsy, Alexander Emanuele)
I’d still like to know more about pasta
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The Farewell (dir. Lulu Wang): Film review
Based on a story first made popular on an episode of This American Life
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Dance, Philly Style: Interview with PHILADANCO founder Joan Myers Brown
“If you really look at dance, look at Soul Train. “
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Aching for Love in South Camden: SCTC puts on David Schulner’s AN INFINITE ACHE
Raymond Croce, artistic director of South Camden Theatre Company, decided “he wanted to stage a play that would speak to a younger audience from across…
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The Art of Self-Defense (dir. Riley Stearns): Film review
This is Fight Club by way of Napoleon Dynamite
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