Barbies Before the Fact: A dilettante at large sees new exhibitions at the PMA
A dilettante at large considers two exhibitions at the Philadelphia Museum of Art
A dilettante at large considers two exhibitions at the Philadelphia Museum of Art
A whimsical and educational show combining images of the city by moonlight, gaslight, electric light, fire and lightning.
What a complicated evening, filled with gorgeous singing and roiled emotions and puzzling theatrics
Toby Zinman considers “Rachel Rose: Wil-o-Wisp/The Future Fields Commission” and “Biting Wit and Brazen Folly: British Satirical Prints, 1780s–1830s”
All this dilettanting around town can make a critic hungry
Toby Zinman gives her thoughts on the new Middle East galleries at the University of Pennsylvania Museum of Archaeology and Anthropology
If you’re a Leonard Bernstein fan, don’t miss the terrific new exhibit at the National Museum of American Jewish History.
The Curtis Institute of Music and Opera Philadelphia’s stunning production Leonard Bernstein’s opera, A Quiet Place, is one of many worldwide celebrations of his centennial;
Philadelphia’s premiere drama critic, Toby Zinman knows her theater. Opera, not so much. Here’s her dilettante review of Opera Philadelphia’s WRITTEN ON SKIN.
The most popular articles of the last year.
Spoilers puts it mildly: She dies. He dies. They die.
The most-read articles on Phindie in 2018
Christopher Munden has written and edited for many inconsequential publications, websites, and cultural institutions. He is the editor/publisher of the Philly Fiction book series, a coach and board…
Drinks, theater, and sketches from Quig’s Pub