Madeline Raube is back in Philadelphia for ANASTASIA at the Academy of Music
The Broadway musical, Anastasia, is returning to Philadelphia this month in full regal splendor. The show first premiered on Broadway in 2017 and combines original music with popular songs…
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The First Step (dir. – Brandon Kramer): Philadelphia Film Festival review
“Are you still a communist?” yells an edgy CPAC attendee as Van Jones passes by. “You’ll have to watch my show to find out,” laughs…
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HAMILTON (National Tour): Admirable history
Excerpted from Nealspaper.com by kind permission.In HAMILTON, Lin Manuel Miranda manages to ace a feat that has daunted and defeated many. He has taken a…
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Catch the Fair One (dir. Josef Kubota Wladyka): Philadelphia Film Festival review
I love boxing, and I love boxing movies, so I knew I couldn’t miss a movie starring and co-written by real-life boxer Kali Reis. Catch…
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Agnes (dir. Mickey Reece): Philadelphia Film Festival review
With all concessions which must be made for a movie like Agnes in place, namely that it was made rather quickly and on the cheap,…
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Beyond the Infinite Two Minutes (dir. Junta Yamaguchi): Philadelphia Film Festival review
Time travel is my favorite storytelling device in existence. It’s a great way to explore a wealth of themes, and as a concept it’s just…
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Petite Maman (dir. Céline Sciamma): Philadelphia Film Festival review
I thought I’d never forget what it was like to be a kid, and I thought I hadn’t forgotten, but then I saw Petite Maman…
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One Second (dir. Yimou Zhang): Philadelphia Film Festival review
Every year I try to see a movie, picked at random, for which I have no information. A total blind date with a film. Sometimes…
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Mother Schmuckers (dir. Harpo Guit, Lenny Guit): Philadelphia Film Festival review
Somewhere between Tom Green, Quentin Dupieux, and that shithead kid across the street who always seems to be getting in trouble exists Mother Schmuckers, a…
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Mass (dir. Fran Kranz): Philadelphia Film Festival review
Mass is a movie that feels like a play. The basic gist is that four individuals are sitting around a table discussing the fallout from…
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Red Rocket (dir. Sean Baker): Philadelphia Film Festival review
Sean Baker has built a career making films that shed a light on fringe communities
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The French Dispatch (dir. Wes Anderson): Philadelphia Film Festival review
No matter what you think, you don’t have Wes Anderson pegged.
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The Sadness (dir. Rob Jabbaz): Philadelphia Film Festival review
I didn’t expect to have my stomach turned in any notable way.
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The Novice (dir. Lauren Hadaway): Philadelphia Film Festival review
A basic description of The Novice would be “Whiplash, but with rowing instead of drumming.”
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Here Comes the RAIN: Beatles tribute comes to Merriam Theater
The Broadway Philadelphia series is gearing up for the return of RAIN- A Tribute to the Beatles. The theatrical production takes audiences on a musical…
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Buzzing about the Walnut’s Season Opener: Bonnie Kelly and Karissa Harris talk about BEEHIVE
Bonnie Kelly and Karissa Harris talk about portraying iconic superstars and bringing them to life on the Walnut stage.
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Now Serving: Hedgerow resumes in-person indoor theater with THE WEIR
Marcie Bramucci took on the role of executive director at Hedgerow Theater at an interesting time. For three generations, members of the Reed/Kelsey family had…
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Fringe in Sketch: Honky Tonkin’ — A Country Music Show
Yeehaw!!! Pounds of sequins, yards of fringe and really big hair! This lil’ ol’ shindig puts the hoot in hootenanny and the jam in jamboree…
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Fringe in Sketch: Walk Around Philadelphia
Discover the city that you thought you knew by walking its edges. Walk Around Philadelphia invites you to explore the perimeter of Philadelphia on foot,…
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Make a RENDEVOUS IN BANGKOK: World premiere play premieres this Sunday
Thomas Merton (1915-1968) was the most influential American Catholic author of the twentieth century. His autobiography, The Seven Storey Mountain, sold over one million copies…
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