1,1 HOLIDAY REVUE SPECIAL (Brian Sanders’ JUNK): Family fun?
Ordinarily I wouldn’t recommend JUNK for children, but the company’s 1.1 Holiday Revue Special is just fabulous.
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MAKING SPIRITS BRIGHT (Act II Playhouse): 60-second review
Presented in variety-show style with skits, songs, and improv sessions, this show is downright funny.
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Josh McIlvain’s SLIDESHOW: A bizarre recreation of a bygone ritual
I was born in the late 1970s, so my childhood only just coincided with the days of the family slideshow. We never had one in my…
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PLAID TIDINGS (Bucks County Playhouse): 60-second review
A budding 50s guy group that met an untimely end in an accident find themselves out of their heavenly digs and back on Earth – in front of a live audience.
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THE SANTALAND DIARIES (Flashpoint): The return of a hilarious holiday tradition
Flashpoint Theatre Company brings back its signature show for the holidays, David Sedaris’s THE SANTALAND DIARIES, for a ten-performance pre-Christmas run.
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WILD (dir. Jean-Marc Vallée): Movie review
This is a movie about one woman gaining personal survival skills that will give her confidence to face the vicissitudes of everyday life when she returns to it.
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THE IMITATION GAME (dir. Morten Tyldum): Movie review
Morten Tyldum does a fine job of blending two stories: Alan Turing’s role in deciphering Nazi Germany’s Enigma Code, and his arrest and conviction for gross indecency.
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“Musicians of Silence”: MUMMENSCHANZ returns to the Annenberg
MUMMENSCHANZ transform the ordinary into extraordinary using everyday objects and silent storytelling.
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BEAUTY AND THE BEAST (Arden): An innovative retelling of a favorite fairytale
Director Whit MacLaughlin employs both live actors and shadow puppets to convey both the darkness and magic of the popular story.
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THE SINCERITY PROJECT (Team Sunshine): Real bodies doing real things
THE SINCERITY PROJECT uses honest dialogue and candid storytelling to blend truth and creative license into a deeply resonant piece.
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JAMES JOYCE’S THE DEAD (CTC): An immersive event in an Irish pub setting
The one-act musical adaptation of Joyce’s short story is presented as a memory play, told through narration and re-enactments.
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THIS IS THE WEEK THAT IS (1812): 60-second review
With references to Throwback Thursday, Snapchat, and that annoying five-second wait to skip a YouTube video, the show focuses our attention on the funny intricacies that make up our times.
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OUTSIDE MULLINGAR (PTC): Land, loss, and love in rural Ireland
John Patrick Shanley’s rom-com charmer is a play about feelings, expressed with an Irish lilt by two generations of neighbors in the Emerald Isle
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Theater, dance, and circus for the price of a sandwich: NICE AND FRESH December
This month features circus heroes Almanac, Philadanco alum Lauren Putty White, a short by SmokeyScout artistic director Josh McIlvain, and the return of prodigal playwright John Rosenberg.
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Scratch Night provides a preview of a family-friendly holiday special from Brian Sanders’ JUNK
FringeArts’ December Scratch Night included a sneak peek of the 1.1 HOLIDAY REVUE SPECIAL, this year’s all-ages seasonal offering by Brian Sanders’ JUNK.
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HOME FOR THE HOLIDAYS (Blend Theatrics): A sweet treat for the season
Holiday magic is alive and well at the Laurie Beechman Cabaret Theater.
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BIRDMAN (dir. Alejandro González Iñárritu): Movie review
The spirit of Samuel Taylor Coleridge has to be invoked practically every minute Alejandro González Iñárritu’s “Birdman” digitally projects on the screen.
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Tribe of Fools Gets Naughty with THE REVENGE OF HORNY RUDOLPH: A Holiday Burlesque Preview with Terry Brennan
Tribe of Fools’ popular holiday burlesque is back this year for one night only with its fifth ensemble-devised installment, THE REVENGE OF HORNY RUDOLPH.
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Opens this week, runs through 2028: THE SINCERITY PROJECT (Team Sunshine), a 24-year experiment
Can theater be sincere? What does it mean to reveal personal secrets onstage? Is truth a form of performance? Find out.
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KISS ME, KATE (Renaissance Music Theatre): Tom, Dick, or Harry would all call this a flop
KISS ME, KATE should bring comedy, heart, big production numbers, and a classic big finale. But Renaissance Music Theatre’s production is a few weeks of…
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