You know those commercials at the movies that play for fifteen minutes before the trailers? You don’t want them, you don’t care about them, but…
View More [28.2] THIS IS NOT A THEATER (Navin Rawanchaikul, Navin Production): Fringe review
Category: Fringe reviews
Reviews of theater and performing arts events in the Philadelphia Fringe Festival. Phindie is providing more critical coverage of the festival than any other publication in Philadelphia.
[30] THE LIVING NEWSPAPER (Liz Magic Laser): Fringe review
Given that you have to sit suffering through the disgraceful This is Not a Theater, it’s almost irrelevant to review THE LIVING NEWSPAPER, but NEWSPAPER is…
View More [30] THE LIVING NEWSPAPER (Liz Magic Laser): Fringe review
[29] HOW TO MAKE POTATO SALAD (Aleksandra Berczynski & MB Grupa Realizacji): Fringe review
Three potatoes, peeled with difficulty (“you drive me as crazy as my date will”) by long fingernails and diced Two apples, crudely peeled (“how come…
View More [29] HOW TO MAKE POTATO SALAD (Aleksandra Berczynski & MB Grupa Realizacji): Fringe review
[28.1] THIS IS NOT A THEATER (Navin Rawanchaikul, Navin Production): Fringe review
Navin Rawanchaikul has created an epic portrait of the history of Philly’s historic Plays and Players Theater. Hundreds of faces have been painted with photographic…
View More [28.1] THIS IS NOT A THEATER (Navin Rawanchaikul, Navin Production): Fringe review
[27] AND TELL SAD STORIES OF THE DEATHS OF QUEENS (Blue Suede Productions): Fringe review
Two young guys who moved here from Tennessee in 2012 started their own theater company, which they named Blue Suede Productions as a tribute to…
View More [27] AND TELL SAD STORIES OF THE DEATHS OF QUEENS (Blue Suede Productions): Fringe review
[26] LIFE AND TIMES: EPISODE 1 (Nature Theater of Oklahoma): Fringe review
From the supremely innovative New York company that brought the hilarious Romeo and Juliet to the 2011 Philly Fringe, LIFE AND TIMES: EPISODE 1 begins…
View More [26] LIFE AND TIMES: EPISODE 1 (Nature Theater of Oklahoma): Fringe review
[25] HUSH NOW SWEET HIGH HEELS AND OAK (Brian Sanders’ JUNK): Fringe review
Choreographer par excellence Brian Sanders creates a psycho-sexual dreamscape of children’s fairy tales and nursery rhymes morphing into adult erotic fantasies in HUSH NOW SWEET…
View More [25] HUSH NOW SWEET HIGH HEELS AND OAK (Brian Sanders’ JUNK): Fringe review
[24.1] ENLIGHTENMENT ON E FLOOR NORTH (Strange Attractor Theatre Company): Fringe review
“You’re not here.” “Yes I am.” “But you’re not supposed to be here.” —ENLIGHTENMENT ON E FLOOR NORTH Someone once said that war is months…
View More [24.1] ENLIGHTENMENT ON E FLOOR NORTH (Strange Attractor Theatre Company): Fringe review
[23] SPOON RIVER ANTHOLOGY (Manayunk Roxborough Art Center): Fringe review
Almost one hundred years ago, Edgar Lee Masters began publishing poems from the point of view of the deceased residents of Spoon River, a lightly-fictionalized…
View More [23] SPOON RIVER ANTHOLOGY (Manayunk Roxborough Art Center): Fringe review
[22] GAYZE: A REAL LIVE WEBSERIES (MJ/JT): Fringe review
GAYZE: A REAL LIVE WEBSERIES is rough around the edges, without a doubt. The cast aims for the cartoonish a lot of the time, and…
View More [22] GAYZE: A REAL LIVE WEBSERIES (MJ/JT): Fringe review
[21] SAINT JOAN, BETRAYED (Aaron Cromie & Mary Tuomanen): 2013 Fringe review
This town knows Aaron Cromie, polymath of the arts—puppeteer, performer, director, designer of puppets, sets, and props; choreographer, musician, teacher, and writer. What else? I…
View More [21] SAINT JOAN, BETRAYED (Aaron Cromie & Mary Tuomanen): 2013 Fringe review
[7.2] THE SOCIETY (Jo Strømgren Kompani): Fringe review
Let’s be real: Most theater we see these days is at least a little bit pretentious. The very nature of theater is based in pretense.…
View More [7.2] THE SOCIETY (Jo Strømgren Kompani): Fringe review
TRAVELING LIGHT (Liam’s Sofa Cushion Fortress): 2013 Fringe review 13.2
This play travels anything but light, but for aficionados—as I am—of talented and doomed Joe Orton or for those fascinated by Brian Epstein (the man…
View More TRAVELING LIGHT (Liam’s Sofa Cushion Fortress): 2013 Fringe review 13.2
[20] PAY UP (Pig Iron Theatre Company with The University of the Arts): Fringe review
This is not a play. Therefore this is not a review, but a warning. If you’re looking to sit in a darkened theater watching actors…
View More [20] PAY UP (Pig Iron Theatre Company with The University of the Arts): Fringe review
[19] HOLLY’S DEAD SOLDIERS (Bruce Walsh, Douglas Williams, Chris Davis): 2013 Fringe review
The play transpires in and around Bruce Walsh’s living room. (September 14 performances will take place at the home of Doug Williams.) Three collaborating playwrights share…
View More [19] HOLLY’S DEAD SOLDIERS (Bruce Walsh, Douglas Williams, Chris Davis): 2013 Fringe review
[18] ANTIHERO (Tribe of Fools Theatre Company): Fringe review
Although founded ten years ago, Tribe of Fools Theatre Company really burst onto the scene with its inimitable Fringe ‘11 offering, Heavy Metal Dance Fag. Like that…
View More [18] ANTIHERO (Tribe of Fools Theatre Company): Fringe review
[17] TOUGH COOKIES (Together We Act): Fringe review
First, the elephant in the room: Together We Act is a non-profit theater company for people who stutter. Now, it doesn’t take a cynical theater…
View More [17] TOUGH COOKIES (Together We Act): Fringe review
[16] THE SAFE WORD IS BEGONIA (B. Someday Productions): Fringe review
Walking Fish Theatre has won accolades (including a 2010 Barrymore) for its programs in education and children’s theater. But Ari Flamingo’s THE SAFE WORD IS…
View More [16] THE SAFE WORD IS BEGONIA (B. Someday Productions): Fringe review
[15] GO LONG BIG SOFTIE (Groundswell Players): Fringe review
As I watch TV and lament the opportunities missed by my fantasy football team (Why didn’t I start Jimmy Graham? I’m an idiot, that’s why.)…
View More [15] GO LONG BIG SOFTIE (Groundswell Players): Fringe review
[14] THE CASTLE (Idiopathic Ridiculopathy Consortium): Fringe review
Though Franz Kafka’s work is not categorized as theater of the absurd per se, his writings have been cited as important predecessors of the genre.…
View More [14] THE CASTLE (Idiopathic Ridiculopathy Consortium): Fringe review