In a Philadelphia theater season with an auspicious beginning, this production of MRS. WARREN’S PROFESSION might be the most auspicious of all.
View More MRS. WARREN’S PROFESSION (Lantern): Thought-provoking amusement
Category: Reviews
Shakespeare Fringe Roundup: Misadventures among the classics
Toby Zinman gives bullet reviews of nine Shakespeare-ish shows in this year’s Fringe.
View More Shakespeare Fringe Roundup: Misadventures among the classics
KING JOHN (Revolution Shakespeare): 2016 Fringe review 88
You won’t get many opportunities to see KING JOHN; you’re unlikely to see one as well-rendered as Revolution Shakespeare’s.
View More KING JOHN (Revolution Shakespeare): 2016 Fringe review 88
THE GAS HEART (Once More Theatre): 2016 Fringe review 87
Tristan Tzara called his play THE GAS HEART “the greatest three-act hoax of the century.”
View More THE GAS HEART (Once More Theatre): 2016 Fringe review 87
RHIZOMAS (Ryuzo Fukuhara): 2016 Fringe review 86
Improvisation is an enticing, yet dangerous, approach to performing.
View More RHIZOMAS (Ryuzo Fukuhara): 2016 Fringe review 86
WITH FLINT AND STEEL (duende): 2016 Fringe review 85
WITH FLINT AND STEEL, this year’s Fringe offering by experimental music and dance group duende, consists of seven separate pieces, each by a different choreographer.
View More WITH FLINT AND STEEL (duende): 2016 Fringe review 85
FORE-IGN/ FORE-OUT (Carbonell, Chisena, Gavino, McKenzie): 2016 Fringe review 84
Excerpted by kind permission from thINKingDANCE. In FORE-IGN/ FORE-OUT, four choreographers explore states of liminality—of how to be between things. In Matriz, Evalina Carbonell uses a…
View More FORE-IGN/ FORE-OUT (Carbonell, Chisena, Gavino, McKenzie): 2016 Fringe review 84
JULIUS CAESAR. SPARED PARTS (Romeo Castellucci / Socíetas Raffaello Sanzio): 2016 Fringe review 83
We were fortunate. Apparently, the horse does not always shit, but in our case his entrance precipitated a great outpouring of feces.
View More JULIUS CAESAR. SPARED PARTS (Romeo Castellucci / Socíetas Raffaello Sanzio): 2016 Fringe review 83
STUPID FUCKING BIRD (Arden): A sidesplitting and insightful reinvention of Chekhov
Aaron Posner’s hilarious reinvention of The Seagull captures all of Chekhov’s laughable characters, absurdities of life, and self-references to the theater from a 21st-century perspective.
View More STUPID FUCKING BIRD (Arden): A sidesplitting and insightful reinvention of Chekhov
WALK TO TOPAZ (Brendon Tetsuo): 2016 Fringe review 82
An autobiographical solo dance work tracing how a family history in a Japanese Internment Camp has affected succeeding generations.
View More WALK TO TOPAZ (Brendon Tetsuo): 2016 Fringe review 82
SCARLETT LETTERS (Ross & Diggs): 2016 Fringe review 81
Playwright Patrick Ross, who gives us a history of sexism, quotes and references to literature and mythology, and plenty of Hawthorne in a smartly woven one-woman show
View More SCARLETT LETTERS (Ross & Diggs): 2016 Fringe review 81
THE ONE, THE OTHER ONE, & THE MANY (The Naked Stark): 2016 Fringe review 80
THE ONE, THE OTHER ONE, & THE MANY reflected an everlasting struggle, a universal dynamic to shift parochial perspectives through time and evolving relationships
View More THE ONE, THE OTHER ONE, & THE MANY (The Naked Stark): 2016 Fringe review 80
PORTAL (Leah Stein Dance Company): 2016 Fringe review 79
the rich layering of performance capacity matched the layers of movement space that Leah Stein’s PORTAL attended to
View More PORTAL (Leah Stein Dance Company): 2016 Fringe review 79
HABITUS (Ann Hamilton): 2016 Fringe review 78
Colossal curtains beautifully billowing with the breeze, are hanging around, literally, throughout the vast Municipal Pier 9 facility
View More HABITUS (Ann Hamilton): 2016 Fringe review 78
OMELETTO (Ombelico Mask Ensemble): 2016 Fringe review 77
It’s “like Hamlet”, with all the key plot points, “only scrambled” in a light-hearted Commedia dell’arte of masks, jokes, music, and puppets.
View More OMELETTO (Ombelico Mask Ensemble): 2016 Fringe review 77
BALANCE (JheeSha Productions): 2016 Fringe review 76
The Kathak performance weaved together photography and dance, narrative and abstraction, the traditional and the contemporary in an exploration of life’s many off-kilter moments.
View More BALANCE (JheeSha Productions): 2016 Fringe review 76
THE ELEMENTARY SPACETIME SHOW (César Alvarez): 2016 Fringe review 68.2
Wild, unabashed, meta upon meta, with a depth of emotional honesty that brings one dangerously close to heartbreak
View More THE ELEMENTARY SPACETIME SHOW (César Alvarez): 2016 Fringe review 68.2
FOUR MINUTE BOOTH (Gatto + Hirano): 2016 Fringe review 75
Four minutes of prolonged eye contact can incur a boost of oxytocin, a chemical that decreases stress and instills positive emotions.
View More FOUR MINUTE BOOTH (Gatto + Hirano): 2016 Fringe review 75
KAPPAROT (Daughters of Disruption): 2016 Fringe review 74
In the Art Church, a house of a theater with carpeted stairs and a open room set with rows of chairs, performer collaborators Chana Rothman…
View More KAPPAROT (Daughters of Disruption): 2016 Fringe review 74
EXPLICIT FEMALE (Here[begin] Dance): 2016 Fringe review 73
Zornitsa Stoyanova asks us to consider the female body as embodiment of generations of ancestral procreation, a host for the alien parasites of new generations, and—through a glass, darkly—as a sexual object.
View More EXPLICIT FEMALE (Here[begin] Dance): 2016 Fringe review 73