Yes, that was me sobbing on opening night of LOST GIRLS.
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Category: Reviews
Choreographic Workshop (PA Ballet): Dance beginnings from Pennsylvania Ballet
Not only successful as a forum to provide opportunities and experiences to young choreographers and dancers, the Choreographic Workshop was also very well done as a performance.
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Transcendent pianism from Kirill Gerstein at the McCarter
Kirill Gerstein bathed his Princeton audience in splendor Monday, February 27, when the pianist presented a recital featuring Bach, Brahms, Beethoven and Liszt at the…
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THE JUNGLE BOOK (PA Ballet II): Ballet for kids and kids at heart
A ballet that appeals across ages and language.
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Performance in Sketch: NICE AND FRESH (Automatic Arts)
Last weekend Moving Arts of Mount Airy witnessed a gathering artists connecting subjects to their own artistic voices
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SHITHEADS (Azuka): Nice ride
Azuka’s terrific production of SHITHEADS, a new play by Douglas Williams, details the New York bicycle subculture.
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A USER’S MANUAL (Thomas Choinacky): In search of a map
What does this spacial or architectural acknowledgement yield?
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Alexandra Hughes on Her Choreographic Workshop with PA Ballet II
Pennsylvania Ballet II is performing four new dance works created on the dancers of the company by four talented choreographers with deep connection to Philadelphia ballet scene.
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I GO ON SINGING (Annenberg Center Live): Sing on
In his touring one-night show I GO ON SINGING, Anthony Brown gives a heartfelt performance about one of Philadelphia’s most distinguished citizens.
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Dance in Sketch: MALPASO DANCE COMPANY (NextMove Dance)
The Cuban dancers of Malpaso Dance Company evoke the Cuban experience through an interplay of color and shadow.
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LEPER + CHIP (Inis Nua): More booze than the Bard
A fast-paced shaggy dog tale of love and revenge, told mostly in dueling monologs of Irish brogue
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A RIDE ON THE IRISH CREAM (Erin Markey/ FringeArts): The mind does crazy, sexy, cool things with memories
In A RIDE ON THE IRISH CREAM the script and choreography embodied the textures and lyricism of the music.
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MALPASO DANCE COMPANY (NextMove Dance): Heat and hype
Malpaso Dance Company brings heat to the Prince Theater with energetic dancers trained at Cuba’s national dance schools.
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WAITING FOR GODOT (Curio): Highlighting the hilarity of Beckett’s classic
Curio’s designers have created a bubble of no time, no place, in which anything or nothing can happen.
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EVENING OF DUETS: Eleven couples dance
The fifth annual Evening Of Duets production featured eleven duets from artists based in Philadelphia, New Jersey, New York, and Congo.
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Winter Series 2017 (BalletX): Exploring and experimenting
In a city cooled by icy air, BalletX heats up the Wilma Theater with a two-week run of Winter Series 2017
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Theater in Sketch: THE ENCHANTED (IRC) and A DOLL’S HOUSE (Swarthmore)
Comparinge the absurdist comedy of Giraudoux with the serious drama of Ibsen.
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SANS EVERYTHING (FringeArts): Artificial Intelligence with Lightning Rod Special + Strange Attractor
Humanity creates its own godhead – AI – that longs to experience its creators through Shakespeare
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THE ENCHANTED (IRC): a great revival speaks to our times
Philly’s favorite absurdist company Idiopathic Ridiculopathy Consortium revives Jean Giraudoux’s THE ENCHANTED.
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SEAGULL (EgoPo): A comedy of torn hearts and thwarted dreams
The pathetically unfulfilled romantic expectations! The sad characters and absurd human comedy! EgoPo nails it, and beautifully. Sketches by Chuck Schultz.
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