HUMAN RITES succeeds as a vehicle to tackle such hot-topic themes as appropriation and intersectionality.
View More HUMAN RITES (InterAct): I say tomato, you say genital mutilationCategory: Reviews
NOISES OFF (Walnut St): Hi-jinks prevail
The chestnut sails in Frank Anzalone’s production of NOISES OFF at the Walnut Street Theatre, but not consistently.
View More NOISES OFF (Walnut St): Hi-jinks prevailJULIUS CAESAR (Quintessence): Why must republics fall?
Quintessence Theatre Group explores the Shakespearean death throes of the Roman Republic.
View More JULIUS CAESAR (Quintessence): Why must republics fall?I WILL NOT GO GENTLY (People’s Light): Third time’s a charm
I’ve gone from a fan and admirer to an enthusiastic supporter of Jen Childs in I WILL NOT GO GENTLY.
View More I WILL NOT GO GENTLY (People’s Light): Third time’s a charmSCHOOL OF ROCK (National tour at the Academy of Music): Amiable mediocrity
Most things are destined to be average, even musicals that have managed to stay on Broadway for a couple of years.
View More SCHOOL OF ROCK (National tour at the Academy of Music): Amiable mediocrityFROZEN (Isis Productions): Forgiveness, redemption, and moving on
Neill Hartley’s ensemble for FROZEN makes the most of all the emotion and thoughtfulness Bryony Lavery invests in his play of forgiveness, redemption, and moving on.
View More FROZEN (Isis Productions): Forgiveness, redemption, and moving onTHE TEMPEST (Lantern): Sounds and sweet airs that give delight and hurt not
Lantern Theater’s production of THE TEMPEST, Shakespeare’s last play, is an enjoyable, modest show, full of comedy and romance and the gentle spirit of human forgiveness.
View More THE TEMPEST (Lantern): Sounds and sweet airs that give delight and hurt notLahav Shani leads Philadelphia Orchestra with music by Lindberg, Stravinsky, and Prokofiev
Twenty-nine-year-old maestro Lahav Shani leads the Philadelphia Orchestra with a spotlight on trumpeter David Bilger
View More Lahav Shani leads Philadelphia Orchestra with music by Lindberg, Stravinsky, and ProkofievTHE BLUEST EYE (Arden): Bringing Toni Morrison to the stage
In adapting THE BLUEST EYE, Lydia R. Diamond trusts Toni Morrison.
View More THE BLUEST EYE (Arden): Bringing Toni Morrison to the stageCROWNS (McCarter): 60-second review
Regina Taylor’s CROWNS is an entertaining and telling musical about traditions among African-American women
View More CROWNS (McCarter): 60-second reviewALWAYS…PATSY CLINE (Media Theatre): 60-second review
Republished by kind permission from Neals Paper. Vocally, Jenny Lee Stern channels Patsy Cline. The clean, heartfelt sounds register. Physically, I kept seeing Judy Garland and…
View More ALWAYS…PATSY CLINE (Media Theatre): 60-second reviewTHE PRODUCERS (Bristol Riverside): Bialystock & Bloom, mini-Madoffs of the theater world
Mel Brooks’s THE PRODUCERS has gone from Screen Comedy to Musical Comedy to Screen Musical Comedy and back to the stage again.
View More THE PRODUCERS (Bristol Riverside): Bialystock & Bloom, mini-Madoffs of the theater worldCOMPANY WANG RAMIREZ (NextMove DANCE): Dance with no borders
The choreography is intellectual and at the same time improvisational and spontaneous
View More COMPANY WANG RAMIREZ (NextMove DANCE): Dance with no bordersA dilettante at large: LEONARD BERNSTEIN: THE POWER OF MUSIC (NMAJH)
If you’re a Leonard Bernstein fan, don’t miss the terrific new exhibit at the National Museum of American Jewish History.
View More A dilettante at large: LEONARD BERNSTEIN: THE POWER OF MUSIC (NMAJH)SMALL MOUTH SOUNDS (Ars Nova/PTC): Hmmph
As far as I can tell, this is a satire, although you know you’re on shaky ground when you’re not sure if the play knows it’s a satire.
View More SMALL MOUTH SOUNDS (Ars Nova/PTC): HmmphSWAN LAKE (PA Ballet): Pennsylvania Ballet refined through the classic
SWAN LAKE is the classic that people think of when they hear the word “ballet.”
View More SWAN LAKE (PA Ballet): Pennsylvania Ballet refined through the classicA dilettante at large: A QUIET PLACE (Curtis Institute of Music)
The Curtis Institute of Music and Opera Philadelphia’s stunning production Leonard Bernstein’s opera, A Quiet Place, is one of many worldwide celebrations of his centennial;
View More A dilettante at large: A QUIET PLACE (Curtis Institute of Music)SPRING SERIES 2018 (BalletX): Ballet, according to BalletX
The program showcases the company’s unique character and the strength.
View More SPRING SERIES 2018 (BalletX): Ballet, according to BalletXLYDIE BREEZE PART 2: AIPOTU (EgoPo): Seeking utopia
EgoPo’s presentation of John Guare’s Lydie Breeze continues with a look at a New England utopia.
View More LYDIE BREEZE PART 2: AIPOTU (EgoPo): Seeking utopiaTHE DIARY OF ANNE FRANK (People’s Light): An intense retelling of a familiar story
David Bradley’s production of this classic is a sterling example of a strong scripts coupled with a great ensemble.
View More THE DIARY OF ANNE FRANK (People’s Light): An intense retelling of a familiar story