We got the SoLow down on this compelling original piece from writer/actor Julius and director Dani Solomon.
View More Growth, Cockroaches, and *not* Micropenises: Julius Ferraro and Dani Solomon give us the SoLow down on MICROMANIACategory: Interviews
The Power of the Invisible Hand: Interview with Anthony Mustafa Adair as Dar, a Pakistani captor, at Theatre Exile
Theatre Exile’s production of THE INVISIBLE HAND features an all-star creative team. We interviewed them.
View More The Power of the Invisible Hand: Interview with Anthony Mustafa Adair as Dar, a Pakistani captor, at Theatre ExileMen At Some Time Are Masters of Their Fates: Interview with Maboud Ebrahimzadeh on THE INVISIBLE HAND
Theatre Exile’s production of THE INVISIBLE HAND features an all-star creative team. We interviewed them.
View More Men At Some Time Are Masters of Their Fates: Interview with Maboud Ebrahimzadeh on THE INVISIBLE HANDTaken Hostage By a Play: Interview with Ian Merrill Peakes on THE INVISIBLE HAND
Theatre Exile’s production of THE INVISIBLE HAND features an all-star creative team. We interviewed them.
View More Taken Hostage By a Play: Interview with Ian Merrill Peakes on THE INVISIBLE HANDThe Invisible Hand of Director Matt Pfeiffer
Theatre Exile’s production of THE INVISIBLE HAND features an all-star creative team. We interviewed them.
View More The Invisible Hand of Director Matt PfeifferRejected Thoughts Emerge at SoLow Fest
A SoLow Fest exploration of what makes us vulnerable, joyous, or angry.
View More Rejected Thoughts Emerge at SoLow FestPutting the Vulnerable Thing Out There: An interview with Chelsea & Magda
Female friendships, aggression, integrity, Lisa Frank, light-up sneakers, and more.
View More Putting the Vulnerable Thing Out There: An interview with Chelsea & Magda[podcast] J. Paul Nicholas on THE INVISIBLE HAND
J. Paul Nicholas on the politics and conversations that surround this well-executed production.
View More [podcast] J. Paul Nicholas on THE INVISIBLE HANDThe Mechanical Theater Discusses its New Site-Specific Take on ROMEO AND JULIET
The cast, director, and artistic director of Mechanical’s upcoming production of Shakespeare’s classic give a sneak peek at their original site-specific adaptation.
View More The Mechanical Theater Discusses its New Site-Specific Take on ROMEO AND JULIETIreland Rising: Irish Heritage Theatre actors respond to THE PLOUGH AND THE STARS
Nine Irish Heritage Theatre actors talk about the Irish roots of Sean O’Casey’s THE PLOUGH AND THE STARS.
View More Ireland Rising: Irish Heritage Theatre actors respond to THE PLOUGH AND THE STARSDevised Theater Meets Disability: Matt Purinton talks EXPOSURE
Collaborative performer Ben Grinberg sat down with Matt Purinton to talk about the EXPOSURE project and what he hopes to share with audiences.
View More Devised Theater Meets Disability: Matt Purinton talks EXPOSUREWe don’t study history, we just keep reenacting it: a conversation with Jenn Kidwell
Jenn Kidwell talks history and roleplaying ahead of the relaunch of UNDERGROUND RAILROAD GAME at FringeArts.
View More We don’t study history, we just keep reenacting it: a conversation with Jenn KidwellSet the Controls for the Heart of the Moon Jellies: Interview with a Philadelphia psychedelic band
Phindie’s recent review of a concert by Philadelphia psychedelic band The Moon Jellies attracted many readers, so we decided to follow it up by interviewing the band members.
View More Set the Controls for the Heart of the Moon Jellies: Interview with a Philadelphia psychedelic band[podcast] Jen Childs on I WILL NOT GO GENTLY
Today’s podcast features artistic director, writer, and performer Jen Childs. We talk about the latest 1812 offering, I Will Not Go Gently where a stellar team of creatives breathe life into the faded career of “Sierra Mist”.
View More [podcast] Jen Childs on I WILL NOT GO GENTLYWorking with the First National Congress in 1776: Interview with director-choreographer Jennie Eisenhower, part 2
In this, the second of a two-part interview, we talk to Eisenhower about the history behind 1776: The Musical
View More Working with the First National Congress in 1776: Interview with director-choreographer Jennie Eisenhower, part 2Jared Reed, a profile
“Every other actor I know had to convince their parents about why they should be in theater,” Reed says. “I never had that.”
View More Jared Reed, a profile1776 And All That: Interview with director-choreographer Jennie Eisenhower
In this, the first of a two-part interview, we talk to Eisenhower about her background and work on the production.
View More 1776 And All That: Interview with director-choreographer Jennie EisenhowerNot Going Gently: 1812 rocks with an album and a play
Harriet Power sits on a stool at a lightly stocked semi-circle bar in the corner of a spacious music room a block from the Ninth…
View More Not Going Gently: 1812 rocks with an album and a playA Monstrous Creation: Whit MacLaughlin on NPL’s O MONSTERS First Draft
Artistic director Whit MacLaughlin describes the inspiration behind the O MONSTERS First Draft.
View More A Monstrous Creation: Whit MacLaughlin on NPL’s O MONSTERS First DraftBreakfast at Tiffany’s with Chris, Bruce, and Doug: Interview with three playwrights restaging a Fringe favorite
We talk to Chris Davis, Bruce Walsh, and Doug Williams ahead of their relaunch of HOLLY’S DEAD SOLDIERS.
View More Breakfast at Tiffany’s with Chris, Bruce, and Doug: Interview with three playwrights restaging a Fringe favorite