Considering a trimmed, contemporized, and feminized version of a classic British drama
View More Gaslighting Done Right: Interview with the cast of Hedgerow Theatre’s reinvented ANGEL STREETCategory: Interviews
Talking EMPEROR JONES: Interview with the director and cast of O’Neill’s tragedy at the South Camden Theatre Company
Eugene O’Neill’s THE EMPEROR JONES kicks off the South Camden Theatre Company’s Fall season
View More Talking EMPEROR JONES: Interview with the director and cast of O’Neill’s tragedy at the South Camden Theatre CompanyThomas Choinacky Says There’s No Hope
The founder of SoLow Fest talks about his latest work, HOPELESSNESS, performed one night only October 8.
View More Thomas Choinacky Says There’s No HopeLeading the Blind: Interview with the director and cast of Irish Heritage Theatre’s MOLLY SWEENEY
We presented five questions to IRT’s Peggy Mecham, the director, and the three cast members: Kirsten Quinn as Molly Sweeney, the blind woman; Ethan Lipkin as the husband; and Michael P. Toner as the physician.
View More Leading the Blind: Interview with the director and cast of Irish Heritage Theatre’s MOLLY SWEENEYDrone Warfare Hits Home: Kittson O’Neill on InterAct’s GROUNDED
Kittson O’Neill plays a fighter pilot and expectant mother living in a desert suburb in the U.S. Southwest, controlling weapons which kill people in a distant foreign desert.
View More Drone Warfare Hits Home: Kittson O’Neill on InterAct’s GROUNDEDThe Bastard of KING JOHN: Carlo Campbell on Revolution Shakespeare Fringe offering
Rev Shakes’ annual mainstage productions begin the final weekend of the Fringe and showcase a sensibility at home in the festival
View More The Bastard of KING JOHN: Carlo Campbell on Revolution Shakespeare Fringe offeringA Little Bird Who Fucks Everything Up: Interview with Haygen Brice Walker, the new enfant terrible of Philadelphia
Henrik Eger talks to Fringe playwright Haygen Brice Walker of BIRDIE’S PIT STOP (AND THE TRIBE OF QUEERS WHO FUCKED EVERYTHING UP).
View More A Little Bird Who Fucks Everything Up: Interview with Haygen Brice Walker, the new enfant terrible of Philadelphia“Casting call” for the chairs in Ionesco’s THE CHAIRS: Interview with IRC artistic director Tina Brock
The Idiopathic Ridiculopathy Consortium brings Eugene Ionesco’s hilarious, controversial, absurdist classic THE CHAIRS to the 2016 Fringe Festival. We talk to director Tina Brock about the show.
View More “Casting call” for the chairs in Ionesco’s THE CHAIRS: Interview with IRC artistic director Tina BrockLife on Mars? Dani Solomon gets interplanetary in ONE WAY RED
Our nearest neighbor, the red planet has a strong gravitational hold over us earthlings. Dani Solomon tells us about her trip there this Fringe.
View More Life on Mars? Dani Solomon gets interplanetary in ONE WAY REDThis Info Will Fucking Dare You: Mary McCool, Brad Wrenn, and Lee Minora bouffon it up at Plays & Players this Fringe
If you dig imaginative and funny collaborative solo shows, Plays & Players theater is the place to go this Fringe Festival.
View More This Info Will Fucking Dare You: Mary McCool, Brad Wrenn, and Lee Minora bouffon it up at Plays & Players this FringeDance and the Internment Camp: Brendan Tetsuo on the long WALK TO TOPAZ this Fringe
During WWII Brendan Tetsuo’s grandparents were interned in a camp in Topaz, Utah, a family legacy which led him to create his Fringe show WALK TO TOPAZ,
View More Dance and the Internment Camp: Brendan Tetsuo on the long WALK TO TOPAZ this FringeBard in BEDLAM: Manayunk Theatre Company gets crazy with Shakespeare
Is Lady Macbeth mad? Who has people figured out: Shakespeare or Freud? Answers from the folk behind BEDLAM: SHAKESPEARE IN REHAB
View More Bard in BEDLAM: Manayunk Theatre Company gets crazy with ShakespeareThe Long Tides of Time: Nicole Quenelle on her 2016 Fringe show
THE LONG TIDES weaves clown, movement, audience participation and narrative in a poignant audit of how we spend our minutes.
View More The Long Tides of Time: Nicole Quenelle on her 2016 Fringe showA Fringe Staple Gets Personal: Talking JUNK with Brian Sanders
Some companies and performers are such staples of the Philadelphia Fringe Festival that it’s hard to imagine a fest without them. That’s surely the case with Brian Sanders’ JUNK
View More A Fringe Staple Gets Personal: Talking JUNK with Brian SandersWhat If Shakespeare Isn’t Sexist? Talking TAMING OF THE SHREW at the Fringe
Some dudes explain why Shakespeare is totes hip with the ladies.
View More What If Shakespeare Isn’t Sexist? Talking TAMING OF THE SHREW at the FringeFolk Artists in Space: Almanac’s Ben Grinberg on EXILE 2588
Hhere at Phindie, we’ve been long-time fans of Almanac Dance Circus Theatre, Philadelphia’s trailblazing contemporary acrobatics company, and their work seems to keep getting bigger and…
View More Folk Artists in Space: Almanac’s Ben Grinberg on EXILE 2588Womanhood, Sexuality, Longing: Irina Varina on her Fringe show SPECULUM DIARIES
Irina Varina combines dances, theater, performance art, and compelling personal-fictitious narratives of womanhood, sexuality, and longing.
View More Womanhood, Sexuality, Longing: Irina Varina on her Fringe show SPECULUM DIARIESBelonging and not wanting to: FringeArts interview with Reggie Wilson
Reggie Wilson spoke with FringeArts about finding inspiration for CITIZEN in the life and work of Zora Neale Hurston, his family history, and his travels as well as the evolution of the piece.
View More Belonging and not wanting to: FringeArts interview with Reggie WilsonForeign Affair: Annielille Gavino-Kollman talks diversity and dance ahead of Fringe show FORE-IGN FORE-OUT
Annielille Gavino-Kollman’s piece focuses on the immigrant experience and includes a cast drawn from diverse cultural backgrounds, all of which influence the music and movement of the work.
View More Foreign Affair: Annielille Gavino-Kollman talks diversity and dance ahead of Fringe show FORE-IGN FORE-OUTThe Howl of the Under-Represented: Interview with WOLVES director Michael Osinski
Michael Osinski is a Philadelphia-based director, educator, and deviser (a person who works with a form of theater where the script originates not from a…
View More The Howl of the Under-Represented: Interview with WOLVES director Michael Osinski