An early version of this show lit up the Live Arts Festival in ’05, and I couldn’t wait to see the latest manifestation of the collaboration between Thaddeus Phillips’ Lucidity Suitcase Intercontinental and Wilhelm Bros. music. The production has grown up over the intervening years. It’s bigger, wider, and deeper, and just as amazing and magical.
View More RED-EYE to HAVRE de GRACE (Lucidity Suitcase Intercontinental): 2012 Philadelphia Live Arts FestivalAuthor: Kathryn Osenlund
Kathryn Osenlund, Theater aficionado. Reviewer for Phindie.com. ATCA member (American Theater Critics Assn.) Professor Emeritus Communications and Theater, Holy Family University. Instructor Philadelphia Police Academy: Police role plays and public speaking. Visiting Lecturer Oxford University. Instructor in Warsaw, Poland. NEA Fellow: Arts Journalism. Barrymore Award Nominator. National Critics Institute, Eugene O’Neill Theater Center. Education: Villanova, PhD in Media; Temple University, MA in Theater; UArts, BFA in Film.
Romeo and Juliet (Lantern Theater Company): Do we need another R&J?
You may ask, “Do we need yet another production of Romeo and Juliet?” The answer is yes we do. This is the Lantern. Next question? The…
View More Romeo and Juliet (Lantern Theater Company): Do we need another R&J?RED-EYE to HAVRE de GRACE (Lucidity Suitcase Intercontinental): 2005 Philadelphia Live Arts Festival Workshop production
In Lucidity Suitcase Intercontinental’s production, three actors and a pianist tell the story of the last three months of Edgar Allen Poe’s life as he pursues his phantoms and vice versa in Philadelphia, Baltimore, and on midnight trains.
View More RED-EYE to HAVRE de GRACE (Lucidity Suitcase Intercontinental): 2005 Philadelphia Live Arts Festival Workshop productionCOPENHAGEN (national tour):Yeah, Heisenberg, do the math
“Yeah, Heisenberg, do the math.”
View More COPENHAGEN (national tour):Yeah, Heisenberg, do the math