Theatre Exile

News and reviews about Philadelphia’s Theatre Exile.

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IDEATION (Theatre Exile): How to succeed in business

The sterile corporate-speak of modern business pervades Aaron Loeb’s darkly comic contemporary play

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2017 Barrymore Awards nominations

On August 21, Theatre Philadelphia announced nominees for the 2017 Barrymore Awards for Excellence in Theatre. Established companies led the day.

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Theater in Sketch: TOMMY AND ME (Theatre Exile)

Looking at the past, TOMMY AND ME carries us into the psychological interaction between dreams and reality.

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BUZZER (Theatre Exile): We wouldn’t come here if we didn’t live here

A provocative and dismaying story, conveyed through complex characters rather than through statistics and theories

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LOST GIRLS (Theatre Exile): We are all capable of redemption

Yes, that was me sobbing on opening night of LOST GIRLS.

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GUARDS AT THE TAJ (Theatre Exile): Beauty and brutality join hands

The debate central to Rajiv Joseph’s absorbing new play isn’t just talk: when you lose this one, you really lose.

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Barrymore Awards Nominations

Industry insiders vote on their favorite shows and artists in their community from the preceding theater season. The resulting awards recognize the best that Philly stages have to offer, and also musicals.

Ray Didinger (Simon Canuso Kiley) meets his boyhood hero Tommy McDonald (Ned Pryce) back in the late 1950s in TOMMY & ME. Photo by Paola Nogueras.

TOMMY & ME (Theatre Exile): Theatrical touchdown

A lovely and elegiac look at how a sportswriter developed his love for football and friendship with an Eagles quarterback.

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TOMMY AND ME (Theatre Exile): There am I in the midst of them

TOMMY AND ME does a lot to make itself likable. Didinger’s love for McDonald is evident and provides a herculean effort towards making the play work. It’s incredibly tempting to allow yourself to be swept away in a sea of sincerity.

Anthony Mustafa Adair. Photography by Jacques Jean-Tiziou.

The Power of the Invisible Hand: Interview with Anthony Mustafa Adair as Dar, a Pakistani captor, at Theatre Exile

Theatre Exile’s production of THE INVISIBLE HAND features an all-star creative team. We interviewed them.

Ian Merrill Peakes (left) with Maboud Ebrahimzadeh in THE INVISIBLE HAND. Photo by Paola Nogueras.

Men At Some Time Are Masters of Their Fates: Interview with Maboud Ebrahimzadeh on THE INVISIBLE HAND

Theatre Exile’s production of THE INVISIBLE HAND features an all-star creative team. We interviewed them.

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Taken Hostage By a Play: Interview with Ian Merrill Peakes on THE INVISIBLE HAND

Theatre Exile’s production of THE INVISIBLE HAND features an all-star creative team. We interviewed them.

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The Invisible Hand of Director Matt Pfeiffer

Theatre Exile’s production of THE INVISIBLE HAND features an all-star creative team. We interviewed them.

Ian Merrill Peakes (L) & Maboud Ebrahimzadeh (R)
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[podcast] J. Paul Nicholas on THE INVISIBLE HAND

J. Paul Nicholas on the politics and conversations that surround this well-executed production.

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SMOKE (Theatre Exile): Sexy but unsettling

Kim Davies’s SMOKE is a dangerous experiment in sexual politics In the taboo world of kink parties.

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[podcast] Theatre Exile’s safe word is #SMOKE

Darnelle Radford chats to Deb Block about Theatre Exile’s production of SMOKE by Kim Davies

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S&M, Sexual Politics, and SMOKE from a Female Perspective: An interview with Theatre Exile’s Deborah Block

Director Deborah Block discusses her approach to the socio-sexual themes in Theatre Exile’s Philadelphia premiere of Kim Davies’ SMOKE.

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Second Acts: Top Philly playwright Bruce Graham talks FUNNYMAN and life in the theater

When you think Philadelphia theater, you think Bruce Graham. He shares his thoughts about his latest play, the state of theater in Philadelphia, and the art of writing plays.

Matteo Scammell, winner of the Neal Zoren's award for Best Actor in Philadelphia, 2015.

The Best in Philadelphia Theater, 2015

Each January, local theater critic Neal Zoren announces his picks for the best in Philadelphia theater over the previous calendar year.