OLIVER! (Quintessence): Eat gruel, get pickpocketed, and become an orphan
Stepping back to a Victorian workhouse with Quintessence Theatre Group.
Sarah Paulos
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“I Can’t Kiss Myself Alone”: The Wit and Retro Style of Berlin’s Max Raabe and His Palast Orchestra. Interview by Henrik Eger One of Germany’s most popular singers launches his North American tour this week. 
COMPLETENESS (Theatre Exile): Algorithms and geek romance Seduction by examples of computational intractability 
An Aerialist Brazilian: Danila Bim discusses her work with Cirque du Soleil’s VOLTA Danila Bim’s job is literally hair-raising! 
Musical in Sketch: CHARLIE AND THE CHOCOLATE FACTORY (touring production) Sketches of Willy Wonka and more. 
Parenting Matilda: Christopher Sutton and Lyn Philistine on their roles in Roald Dahl’s classic Real life parents play onstage parents in MATILDA THE MUSICAL.
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From the archives…
SAINT JOAN, BETRAYED, a preview: Really cool masks and puppety things
Aaron Cromie, one half of a double-act with Mary Tuomanen, describes with relish the process of creating their latest Fringe piece, Saint Joan, Betrayed. For Saint Joan, Betrayed, the two will tell the massive and idiosyncratic story of Joan of Arc with puppets, toy theaters, and their own voices and bodies. “Scenes are inspired by the objects that are made,” says Cromie, “and then objects are inspired by events that happen. more…
Read these now…
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COMPLETENESS (Theatre Exile): Algorithms and geek romance
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THE AUDIENCE DISTURBS MARCEL’S BATHTIME AND HE’S VERY UPSET WITH YOU ALL (Tiny Dynamite): 60-second review
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Das Reboot: Chris Davis returns with One-Man Apocalypse Now after an award-winning sojourn to Germany
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OLIVER! (Quintessence): Eat gruel, get pickpocketed, and become an orphan
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Philadelphia Theater Calendar December 2018
