Put on your thinking cap if you’re thinking of going to see DESCRIBE THE NIGHTView More DESCRIBE THE NIGHT (Wilma): Put on your thinking caps
A review in words and sketch by Chuck Schultz and Yumna TolaimateView More Theater in Sketch: THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME (Walnut Street)
Lorca’s BLOOD WEDDING makes a fitting vehicle for the Wilma Theater in-house troupe.View More BLOOD WEDDING (Wilma): Movement in the veins
Cameron Kelsall has some ideas for the new executive director.View More How should Philadelphia Theatre Company rebrand itself?
Blanka Zizka boldly steps forth as both debut playwright and seasoned director of the semi-autobiographical ADAPT!View More ADAPT! (Wilma): On the brink of dawn
“We have all the time we ever had.”View More CONSTELLATIONS (Wilma): Love in the multiverse
Using the endtimes as a backdrop, Andrew Bovell uses the drama within a family’s history as a parallel for the turbulence in humanity’s.View More WHEN THE RAIN STOPS FALLING (Wilma): How a hard rain’s a gonna fall
A superb cast and creative artistic design bring the story of traumatic loss and joyful renewal to life in the haunting musical adaptation of a Victorian classic.View More THE SECRET GARDEN (Arden): Captivating mystery and haunting artistry
Tom Stoppard again demonstrates his uncanny ability to make dense philosophical discussions intelligible and dramatically sensible.View More THE HARD PROBLEM (Wilma): Stoppard makes intelligible intelligence look easy
A new $10 million in funds includes money for an updated facade, a cafe space, and a 10-member artistic company.View More What Can The Wilma Do With $10 Million?
The man behind the 2013 Fringe Festival hit AJAX, The Madness directs his version of ANTIGONE for the Wilma Theater.View More ANTIGONE (Wilma): Spectacular, but a spectacular failure
Tom Stoppard’s ROSENCRANTZ AND GUILDENSTERN ARE DEAD is perhaps the most ubiquitous work of postmodern drama.View More ROSENCRANTZ AND GUILDENSTERN ARE DEAD (Wilma): A contemporary classic, in three parts
Not unlike the U.S. Constitution, HAMLET endures partly because its imperfections and spaces allow for different ways to read it.View More HAMLET (Wilma): Blanka Zizka’s daring production amazes while keeping its distance
The theater community contains a wealth of multi-talented artists who are not only gifted actors, but also highly skilled singers, musicians, and composers.View More Theater Artists Making Beautiful Music in NY and Philly
The Lantern Theater Company’s remount of THE SCREWTAPE LETTERS by C.S. Lewis is a sizzling show from hell. Kathryn Osenlund’s 60-second reviewView More THE SCREWTAPE LETTTERS (Lantern): 60-second review
Call it Don Juan or Don Giovanni, the Don Juan story, handed down through time, is pre-loaded with a mix of serious and comic elements and a supernatural dimension. DON JUAN COMES HOME FROM IRAQ, from theater luminaries Paula Vogel (playwright) and Banka Zizka (director), has the gravitas down and doesn’t lose sight of humor, but extra pieces lodge within this puzzle’s slippery treatment of time and reality.View More DON JUAN COMES HOME FROM IRAQ (Wilma): A Disparate Jigsaw