Pig Iron Theatre Company

Philadelphia theater through the eyes of J. Cooper Robb, Part 2: 2004

Revisiting Philly theater history through the eyes of one of its finest critics.

A PERIOD OF ANIMATE EXISTENCE (Pig Iron): Creating an environment for thought

It is our job as artists to create environments for people to see things differently. Pig Iron did that.

Sketches by Chuck Schultz.

Widower and Beyond: Successful PlayPenn dramatist David Jacobi talks about the playwriting process

We celebrate PlayPenn with interviews of the major dramatists who have benefited from its programs.

Devised Theater Meets Disability: Matt Purinton talks EXPOSURE

Collaborative performer Ben Grinberg sat down with Matt Purinton to talk about the EXPOSURE project and what he hopes to share with audiences.

GENTLEMEN VOLUNTEERS (Pig Iron): Psychology, trickery, live foley, everything you want

GENTLEMAN VOLUNTEERS displays charm, psychological interest, and fringe sentiment which planted the roots of Pig Iron’s experimentation.

A DOLL’S HOUSE (Jo Strømgren Kompani): 2015 Fringe review 9.1

This DOLL’s HOUSE is human and multifaceted, lighthearted and ironic, narrative with a dancer’s expression of character.

Blast from the Past: Schedule for the very first Philadelphia Fringe Festival

Useful if you have a time machine. A full listing of events for the 1997 Fringe Festival.

Photo shoot for A Dolls House. Photo: Josh McIlvain.

Jumping Out Of Airplanes: Trey Lyford on theater, life, and DOLL’S HOUSE at the 2015 Fringe Festival

This fall, Lyford takes a break from his typical role as a contemporary clown and returns to Fringe Festival in Jo Strømgren’s recreation of Henrik Ibsen’s famous play, A Doll’s House.

I PROMISED MYSELF TO LIVE FASTER (Pig Iron): 60-second review

An absurd sci-fi epic with countless phallic symbols and absolutely no sense of “too much”. What more could you ask for?

How to Live Faster: Interview with Dito van Reigersberg of Pig Iron

Pig Iron’s latest wild theatrical creation opens this week at FringeArts. I Promised Myself to Live Faster is an absurdist sci-fi epic and wild allegory about gayness in 2015,

Phindie's Official Fringe Bike Tour led by Julius Ferraro

PHINDIE’S OFFICIAL FRINGE BIKE TOUR: Experience Fringe in a way never before possible

Wanna experience the best of Fringe, but don’t know how? Overwhelmed by the offerings of the Guide? Fearful to take your first taste of Philly’s oldest and largest performance festival and somehow get it wrong? Or else just don’t want to do it alone?

Join Phindie for a one-day Fringe immersion, led by Julius Ferraro—Phindie.com theater editor, journalist, playwright, performer, and veteran fringehopper.

Aaron Cromie and Christie Parker in THE BODY LAUTREC. Photo credit: plate3photography.com.

Doug Williams’s 5 Fringe Picks: Festival fave reveals his not-to-miss shows

Playwright Douglas Williams collaborated on a stand-out Fringe hit of 2013, Holly’s Dead Soldiers Doug shared five picks the 2014 Fest.

Photo © Jacques-Jean Tiziou / www.jjtiziou.net.

Interview with Charlotte Ford: The untenable career of a successful Philadelphia theater artist

Philadelphia’s theater scene is better than ever—haven’t you heard? But so few of its practitioners can eke out a living wage from it. This interview Charlotte Ford takes a serious look at how poor the health of the theater industry is in this city.

Peter Gaffney

THE FUTURE has arrived: Interview with Peter Gaffney, musical creator of BRAT’s latest production

In ALWAYS COMING SOON: THE FUTURE, BRAT Productions takes another look at what the future holds, and the auguries are not pretty: Derelict clowns, aggressive barkers, and obscene control culture. But THE FUTURE is funny and fun: It’s another of the entertaining rock cabarets which the company has launched in recent years,

Ben Grinberg rehearsing COMMUNITAS at Penn Treaty Park. Photo credit Justin Rose

Communitas Organizer: Interview with Ben Grinberg about his dance circus theater

Together with collaborator Nick Gillette, Ben Grinberg founded Almanac Dance Circus Theatre to offer production of his unique brand of acrobatic theater. Almanac’s inaugural show, Communitas, launches this May 22-24 at Christ Church Neighborhood House. Phindie asked Ben a few questions about the show and his new company.

Is there money in theater? Where does it come from? Who gets it?

Phindie looks at tax returns for local theaters to see how much they brought in from what sources. We also look at who the best paid employee was for each “non-profit”.

Alex Bechtel The West

THE WEST Comes to Town: Interview with Creator Alex Bechtel

THE WEST is ensemble-devised musical theater, described as “an absurdist western music hall drama about the gun that killed Billy The Kid, the gun that didn’t, and truth and fiction in history, human relationships, and our day-to-day lives.”

Twelfth Night Pig Iron

TWELFTH NIGHT, or WHAT YOU WILL (Pig Iron/FringeArts): The 1602 equivalent of a holiday special

TWELFTH NIGHT being the 1602 equivalent of a holiday special, there’s no shortage of booze-riddled merriment in Pig Iron’s revival from the 2011 Fringe Festival.

TWELFTH NIGHT (Pig Iron): Upends Expectations, Rights Shakespeare’s Play

David Patrick Stearns writes yet another petulant review, this time of Pig Iron’s TWELFTH NIGHT. If he whines enough that he isn’t entertained at theater and doesn’t get it, will…