A tongue-in-cheek recounting of some of the sexier moments of King Arthur’s rule, COURTLY LUST attempts to do it all—just like the knights of old. Comedy, kink, and wit combine,…
“Back to the grind. Literally.” So begins a shift for five young women, dancing for a living. Set in the dressing room of a strip club, STRIPPED OF COMMON SENSE…
Little known theater company, GDP Productions, takes a shot at classic crime cinema with NOIR. Played in the shadowy, speakeasy-like back bar of R Bar at 2222 Walnut Street, this…
An Aerialist Brazilian: Danila Bim discusses her work with Cirque du Soleil’s VOLTA Danila Bim’s job is literally hair-raising! 
COMPLETENESS (Theatre Exile): Algorithms and geek romance Seduction by examples of computational intractability 
GREAT RUSSIAN NUTCRACKER (Moscow Ballet): Dance review The Moscow Ballet delivers all that is expected from a first-rate Nutcracker, but there are no surprises. 
RASHOMON (Luna): Kurosawa on the stage Luna's adaptation of one of the finest films ever made doesn't dare to change enough to be much more than a translation of Kurosawa's movie. 
Dance in Sketch: Kun-Yang Lin/Dancers Artist Chuck Schultz recently attended a rehearsal of Kun-Yang Lin/Dancers Fall/Spring season at the Chi Movement Arts Center Support Phindie operations
By revealing the plot through meta layers, Goidel reinforces the idea that we’re watching self-discovery through art. more…
