A tongue-in-cheek recounting of some of the sexier moments of King Arthur’s rule, COURTLY LUST attempts to do it all—just like the knights of old. Comedy, kink, and wit combine,…
“Back to the grind. Literally.” So begins a shift for five young women, dancing for a living. Set in the dressing room of a strip club, STRIPPED OF COMMON SENSE…
Little known theater company, GDP Productions, takes a shot at classic crime cinema with NOIR. Played in the shadowy, speakeasy-like back bar of R Bar at 2222 Walnut Street, this…
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From Mormon Boy to Rent Boy: Interview with solo performer Steven Fales They have a name for former LDS in Utah: Jack Mormons. You can leave the Mormon church, but the Mormon upbringing will never leave you. ... 
GREAT RUSSIAN NUTCRACKER (Moscow Ballet): Dance review The Moscow Ballet delivers all that is expected from a first-rate Nutcracker, but there are no surprises. 
SUICIDE STORIES (Elephant Room Productions): 2017 Fringe review A surprising reminder of how good it is just to be alive. 
The German Society of Pennsylvania presents their final Delius Society Concert The Wister Quartet and Choral Arts Philadelphia gave their audience a rare chance to hear the Delius Songs of Sunset. 
Asian Arts Initiative’s THE WAY HOME continues with You for Me for You The National Asian American Theater Festival and Conference is coming to Philadelphia this October, and Philadelphia's Asian Arts Initiative... 
Each Fringe, the Pig Iron Theatre Company show is one of the most highly anticipated. This year’s offering, 99 BREAKUPS, may be untidy and inconsistent but it’s already almost completely sold out. more…
