Leonard C. Haas
With a strong cast and design wizards the Lantern has made CORIOLANUS a visceral, lively and thought-provoking experience
Jo Strømgren Kompani boldly promise to deliver the essence of the celebrated play despite making ambitious changes to it.
This DOLL’s HOUSE is human and multifaceted, lighthearted and ironic, narrative with a dancer’s expression of character.
Jumping Out Of Airplanes: Trey Lyford on theater, life, and DOLL’S HOUSE at the 2015 Fringe Festival
This fall, Lyford takes a break from his typical role as a contemporary clown and returns to Fringe Festival in Jo Strømgren’s recreation of Henrik Ibsen’s famous play, A Doll’s House.
I have seen a dozen productions of I HATE HAMLET, including the legendary Broadway staging that induced Evan Handler to complain to Actors Equity against co-star Nicol Williamson. This is one of the best.
“We all do things that are sorta good, and things that are sorta not so good.” In RED SPEEDO, each character is capable of doing those things that are sorta not so good.
A Conversation with Playwright Lucas Hnath, Director Deborah Block, and the Cast of Theatre Exile’s RED SPEEDO
Playwright Lucas Hnath raises serious legal, ethical, societal, and personal issues in RED SPEEDO, his 2013 play enjoying its Philadelphia premiere at Theatre Exile.