Leonard C. Haas

Lantern Theater Company Coriolanus

CORIOLANUS (Lantern): Succeeding with a Shakespeare many companies wouldn’t attempt

With a strong cast and design wizards the Lantern has made CORIOLANUS a visceral, lively and thought-provoking experience

The 1990s called; they want their facade back.

What Can The Wilma Do With $10 Million?

A new $10 million in funds includes money for an updated facade, a cafe space, and a 10-member artistic company.

fringe-review-a-dolls-house

A DOLL’S HOUSE (Jo Strømgren Kompani): 2015 Fringe review 9.2

Jo Strømgren Kompani boldly promise to deliver the essence of the celebrated play despite making ambitious changes to it.

a-dolls-house-fringe-review

A DOLL’S HOUSE (Jo Strømgren Kompani): 2015 Fringe review 9.1

This DOLL’s HOUSE is human and multifaceted, lighthearted and ironic, narrative with a dancer’s expression of character.

Photo shoot for A Dolls House. Photo: Josh McIlvain.

Jumping Out Of Airplanes: Trey Lyford on theater, life, and DOLL’S HOUSE at the 2015 Fringe Festival

This fall, Lyford takes a break from his typical role as a contemporary clown and returns to Fringe Festival in Jo Strømgren’s recreation of Henrik Ibsen’s famous play, A Doll’s House.

Leonard Haas in I HATE HAMLET at Montgomery Theater. Photo by Angela McMichael.

I HATE HAMLET (Montgomery): Paul Rudnick knows a hawk from a handsaw

I have seen a dozen productions of I HATE HAMLET, including the legendary Broadway staging that induced Evan Handler to complain to Actors Equity against co-star Nicol Williamson. This is one of the best.

red Speedo Production 8

RED SPEEDO (Theatre Exile): A dive into the waters of amorality

“We all do things that are sorta good, and things that are sorta not so good.” In RED SPEEDO, each character is capable of doing those things that are sorta not so good.

Playwright Lucas Hnath (Photo credit: Courtesy of Lucas Hnath)

A Conversation with Playwright Lucas Hnath, Director Deborah Block, and the Cast of Theatre Exile’s RED SPEEDO

Playwright Lucas Hnath raises serious legal, ethical, societal, and personal issues in RED SPEEDO, his 2013 play enjoying its Philadelphia premiere at Theatre Exile.