Jo Strømgren

balletx winter series

Winter Series 2017 (BalletX): Exploring and experimenting

In a city cooled by icy air, BalletX heats up the Wilma Theater with a two-week run of Winter Series 2017

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THE BORDER (Jo Strømgren Kompani): 2015 Fringe review 32.2

THE BORDER delivers on all the essential aspects of Scandinavian life: there’s dry humor, a self-deprecating take on one’s life and, of course, melancholic dance music.

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THERE (Jo Strømgren Kompani): 2015 Fringe review 35

You would be excused for not understanding exactly what is going on in THERE: the dialog is all in a Russianish nonsense language

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THE BORDER (Jo Strømgren Kompani): 2015 Fringe review 32.1

This scintillating exploration of the territorial tensions between a man and a woman takes us beyond the cubicle walls to the dynamic boundaries of human relations.

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A DOLL’S HOUSE (Jo Strømgren Kompani): 2015 Fringe review 9.2

Jo Strømgren Kompani boldly promise to deliver the essence of the celebrated play despite making ambitious changes to it.

Photo shoot for A Dolls House. Photo: Josh McIlvain.

Jumping Out Of Airplanes: Trey Lyford on theater, life, and DOLL’S HOUSE at the 2015 Fringe Festival

This fall, Lyford takes a break from his typical role as a contemporary clown and returns to Fringe Festival in Jo Strømgren’s recreation of Henrik Ibsen’s famous play, A Doll’s House.

The Society 2013 Philadelphia Fringe review

[7.2] THE SOCIETY (Jo Strømgren Kompani): Fringe review

Let’s be real: Most theater we see these days is at least a little bit pretentious. The very nature of theater is based in pretense. We are asked to believe…

The Society Jo Stromgren Kompani, Philly Fringe review

[7.1] THE SOCIETY (Jo Strømgren Kompani): Fringe review

This outrageous frolic with a ridiculous premise begins in the meeting room of a quiet, conservative French coffee society. Everything is ordered and in its place. But when—horrors!—a used tea bag…