Jillian Keys

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IT’S SO LEARNING (Berserker Residents): Will this be on the test?

The Berserker Residents take us back to school

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A NEW BRAIN (Horizon): Getting a new lease on life

Theatre Horizon’s production of William Finn’s autobiographical musical comedy is filled with off-beat humor, powerhouse vocals, and a life-affirming message.

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GROUNDED (InterAct): The killing screens

GROUNDED is a tale for our times: war is most hellish when it resembles office life, reality is most profound rendered in pixels.

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THE STINKY CHEESE MAN (Arden): No cheese smells this good

It’s hard to know what to expect going into a children’s theater show, but this adult was quite honestly blown away.

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FOX ON THE FAIRWAY (Act II): Camaraderie of a club

No golf interest? No problem. This show has tongue-in-cheek humor, love, competition, and the danger of the unexpected.

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THE SCREWTAPE LETTTERS (Lantern): 60-second review

The Lantern Theater Company’s remount of THE SCREWTAPE LETTERS by C.S. Lewis is a sizzling show from hell. Kathryn Osenlund’s 60-second review

Andrew Carroll, Ama Bollinger, Jerry Puma, and Tina Brock (Photo: Johanna Austin)

ONDINE (Idiopathic Ridiculopathy Consortium): Nature versus Human Nature

When Hans, a handsome but not-so-smart knight-errant of Wittenstein, meets the unbridled naiad Ondine at a fisherman’s cottage in the woods, they fall recklessly in love and marry—a union that…

Charlie DelMarcelle, Geneviève Perrier, Amy Smith, and Doug Hara in the Lantern’s A CHILD’S CHRISTMAS IN WALES (Photo credit: Mark Garvin)

A CHILD’S CHRISTMAS IN WALES (Lantern): Idyllic visions of a holiday past

Lantern Theater Company’s world premiere adaptation of A CHILD’S CHRISTMAS IN WALES by Charles McMahon and Sebastienne Mundheim, the inventive “interdisciplinary performance-maker” who designed the production and also directs, captures all the warmth, nostalgia, and childlike wonder of the original, employing live actors, puppets, miniature houses, plastic-bag clouds, and exhilarating snow flurries to transform Thomas’s descriptive language and idealized memories into an enchanting theatrical vision.