J Hernandez

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Theater in Sketch: HOW TO USE A KNIFE (InterAct)

The InterAct Theater goes behind the scenes of a working kitchen

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HOW TO USE A KNIFE (InterAct): A sharp new play

Scene one is hilarious; scene two wipes the smile right off your face.

4. Lantern, AS YOU LIKE IT, Liz Filios, Jake Blouch, photo Mark Garvin

AS YOU LIKE IT (Lantern): As you’ve never seen it!

A cross-temporal interpretation of Shakespeare’s Elizabethan classic injects passages of current expressions and gestures, slapstick, and original music into the well-known pastoral rom-com.

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DRACULA (Hedgerow): Raising the stakes

This not your usual resurrection of the Dracula story of seducing young women to join him in the realm of the undead.

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RAGE OF ACHILLES (CCTC): The absurdity and tragedy of war

Commonwealth Classic Theatre presents a world-premiere production of Paul Parente’s meaningful tragicomedy on the absurdities and horrors of war, inspired by the events and characters from Homer’s Iliad.

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SPLEEN (Johnny Smith): SoLow review

Smith reveals the conflicting aspects of his personality in his outwardly funny but internally anguished reactions to the damage done to his body and psyche by a car crash that left him physically and emotionally scarred,

1. Lantern, Taming of the Shrew, Joanna Liao, J Hernandez, phto Mark Garvin

THE TAMING OF THE SHREW (Lantern): Capturing the passion and the parody

Director Charles McMahon equates the hot-blooded battle of wills between Kate and Petruchio with the intense, sensual, and stylized dance of the tango.

J Hernandez as Iago in The Philadelphia Shakespeare Theatre’s Othello, 2013 (Photo credit: Chris Miller)

J Hernandez: Feeling the Love in Philadelphia!

J Hernandez has been a constant presence on Philadelphia stages his acclaimed portrayal of Iago in a 2013 production of Othello. Phindie spoke to the Texas native about relocating, being a Latino actor, and why he loves Philly theater.

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Classic Plays, Living Playwrights? Interview with Ian August, author of THE MOOR’S SON (PAC)

Katherine Fritz sat down with Ian August to chat Shakespeare, history, and what it means to be the guy who says, “I think I’d like to write a sequel to Shakespeare’s Titus Andronicus.”

Victoria Rose Bonito and J Hernandez star in BLOOD WEDDING (Photo credit: Kate Raines/PLATE 3 Photography)

BLOOD WEDDING (PAC/MPiRP): A symbiotic relationship between the arts and education

Love, betrayal, vengeance, and death are the themes of Federico García Lorca’s Spanish Symbolist tragedy, BLOOD WEDDING.

Director Damon Bonetti, captured during last night's "Blood Wedding" rehearsal, by Drexel photography student Cindi Landmesser.

PAC’s Damon Bonetti on BLOOD WEDDING: “Peace in a cruel world”

Phindie spoke to Damon Bonetti, a founding member of the Philadelphia Artists’ Collective and director of PAC’s latest offering, Frederico Garcia Lorca’s BLOOD WEDDING.

Dave Johnson and J Hernandez in WE CAN ALL AGREE TO PRETEND THIS NEVER HAPPENED (Photo credit: Ilana Caplan)

WE CAN ALL AGREE TO PRETEND THIS NEVER HAPPENED (Tiny Dynamite and InterAct Theatre Company): A Philadelphia world-premiere comedy

Season 4 of Tiny Dynamite’s month-long happy-hour series A Play, A Pie and A Pint concludes with its first commissioned work.

Victoria Rose Bonito and Akeem Davis in ROMEO AND JULIET

ROMEO AND JULIET (Philadelphia Shakespeare Theatre): A Love to Die for

They’ve known each other for what—a couple of hours? Already they’re crazy in love, and they’ll steadfastly love each other against all odds. A love to die for. One of the world’s most celebrated and enduring love stories, ROMEO AND JULIET, is currently on stage at The Philadelphia Shakespeare Theatre.

Photo credit: Cindy Jensen Graphic Design

FROST/NIXON (New City Stage Company): A gripping game of psycho-political chess

New City Stage Company’s Philadelphia premiere of FROST/NIXON is anything but the dry historical debate you might expect. Under Aaron Cromie’s brilliant direction, playwright Peter Morgan’s story of the series of TV interviews conducted by faltering British talk-show host David Frost in 1977 with disgraced US President Richard Nixon is a painfully tense and surprisingly humorous cat-and-mouse game.

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OTHELLO (Philly Shakes): Grumpy Professor Review

OTHELLO by the Philadelphia Shakespeare Theatre at 21st and Sansom, is quite an excellent show. Carmen Khan, the director, really gets perfect diction from every actor in every word of…

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60-second review: OTHELLO (Philly Shakes)

In most of Shakespeare’s tragedies, the characters are overtaken by the swirl of events, following fate to their bloody end. A notable exception is OTHELLO, now onstage at Philadelphia Shakespeare…