J Hernandez

KING LEAR (Quintessence): England at his feet

As Lear, Robert Jason Jackson is “every inch a king.

Arden Charlotte's Web

Theater in Sketch: CHARLOTTE’S WEB (Arden Theatre)

Looking at Arden Childrens Theater in words and sketch

Sweat Philadelphia theater review

SWEAT (PTC): What’s the matter with Reading?

Why does SWEAT appeal to us, as aging urban middle-to-upper-to-upper-upper-class theatergoers? Do we hope to understand? Relate? Gawk? What do we applaud?

Theater of the Extreme: Amanda Schoonover looks back on PHAEDRA’S LOVE

Henrik Eger talks to actor Amanda Schoonover about Sarah Kane and her career.

THE TEMPEST (Lantern): Sounds and sweet airs that give delight and hurt not

Lantern Theater’s production of THE TEMPEST, Shakespeare’s last play, is an enjoyable, modest show, full of comedy and romance and the gentle spirit of human forgiveness.

Why Wait? Director Ken Marini talks about Quintessence Theatre’s brilliant WAITING FOR GODOT

Quintessence Theatre’s production of WAITING FOR GODOT just closed. Henrik Eger spoke to the director about his background and his experiences directing Samuel Beckett’s classic.

WAITING FOR GODOT (Quintessence): Really absurd

Quintessence Theatre Group’s WAITING FOR GODOT strikes a balance between humor and pathos, between realism and ridiculousness.

2017 Barrymore nominees: In their own words

Phindie asked this year’s crop of Barrymore Award nominees about their experience of being nominated.

Theater in Sketch: HOW TO USE A KNIFE (InterAct)

The InterAct Theater goes behind the scenes of a working kitchen

HOW TO USE A KNIFE (InterAct): A sharp new play

Scene one is hilarious; scene two wipes the smile right off your face.

AS YOU LIKE IT (Lantern): As you’ve never seen it!

A cross-temporal interpretation of Shakespeare’s Elizabethan classic injects passages of current expressions and gestures, slapstick, and original music into the well-known pastoral rom-com.

DRACULA (Hedgerow): Raising the stakes

This not your usual resurrection of the Dracula story of seducing young women to join him in the realm of the undead.

RAGE OF ACHILLES (CCTC): The absurdity and tragedy of war

Commonwealth Classic Theatre presents a world-premiere production of Paul Parente’s meaningful tragicomedy on the absurdities and horrors of war, inspired by the events and characters from Homer’s Iliad.

SPLEEN (Johnny Smith): SoLow review

Smith reveals the conflicting aspects of his personality in his outwardly funny but internally anguished reactions to the damage done to his body and psyche by a car crash that left him physically and emotionally scarred,

THE TAMING OF THE SHREW (Lantern): Capturing the passion and the parody

Director Charles McMahon equates the hot-blooded battle of wills between Kate and Petruchio with the intense, sensual, and stylized dance of the tango.

J Hernandez as Iago in The Philadelphia Shakespeare Theatre’s Othello, 2013 (Photo credit: Chris Miller)

J Hernandez: Feeling the Love in Philadelphia!

J Hernandez has been a constant presence on Philadelphia stages his acclaimed portrayal of Iago in a 2013 production of Othello. Phindie spoke to the Texas native about relocating, being a Latino actor, and why he loves Philly theater.

Classic Plays, Living Playwrights? Interview with Ian August, author of THE MOOR’S SON (PAC)

Katherine Fritz sat down with Ian August to chat Shakespeare, history, and what it means to be the guy who says, “I think I’d like to write a sequel to Shakespeare’s Titus Andronicus.”

Victoria Rose Bonito and J Hernandez star in BLOOD WEDDING (Photo credit: Kate Raines/PLATE 3 Photography)

BLOOD WEDDING (PAC/MPiRP): A symbiotic relationship between the arts and education

Love, betrayal, vengeance, and death are the themes of Federico García Lorca’s Spanish Symbolist tragedy, BLOOD WEDDING.

Director Damon Bonetti, captured during last night's "Blood Wedding" rehearsal, by Drexel photography student Cindi Landmesser.

PAC’s Damon Bonetti on BLOOD WEDDING: “Peace in a cruel world”

Phindie spoke to Damon Bonetti, a founding member of the Philadelphia Artists’ Collective and director of PAC’s latest offering, Frederico Garcia Lorca’s BLOOD WEDDING.

Dave Johnson and J Hernandez in WE CAN ALL AGREE TO PRETEND THIS NEVER HAPPENED (Photo credit: Ilana Caplan)

WE CAN ALL AGREE TO PRETEND THIS NEVER HAPPENED (Tiny Dynamite and InterAct Theatre Company): A Philadelphia world-premiere comedy

Season 4 of Tiny Dynamite’s month-long happy-hour series A Play, A Pie and A Pint concludes with its first commissioned work.