Pig Iron’s latest wild theatrical creation opens this week at FringeArts. I Promised Myself to Live Faster is an absurdist sci-fi epic and wild allegory about gayness in 2015,
View More How to Live Faster: Interview with Dito van Reigersberg of Pig IronTag: FringeArts
. . . BARRY SEAL (Thaddeus Phillips/FringeArts): Smile and a wink
Thaddeus Phillips plays Barry Seal, a real-life, infamous drug smuggler-turned-DEA-informant who eventually gained the ire of both smugglers and government agents.
View More . . . BARRY SEAL (Thaddeus Phillips/FringeArts): Smile and a winkDUST (Megan Bridge/FringeArts): All we are
Evidence of life. Enemy of the domestic goddess. Culprit of hay fever. The stuff we’re all destined for. DUST has connotations both mundane and eternal.
View More DUST (Megan Bridge/FringeArts): All we areThaddeus Phillips Brings the Drug Trade to FringeArts: Interview with the creative mind behind Lucidity Suitcase Intercontinental
The Incredibly Dangerous Astonishing Lucrative and Potentially TRUE Adventures of Barry Seal comes to FringeArts May 14–16, 2015. We interview creator Thaddeus Phillips.
View More Thaddeus Phillips Brings the Drug Trade to FringeArts: Interview with the creative mind behind Lucidity Suitcase IntercontinentalNOW NOW OH NOW (Rude Mechanicals): Role-playing and improv combine
The idea of combining improv with role-playing works very well since both rely on improvisation within certain parameters and they’re also both just a lot of fun.
View More NOW NOW OH NOW (Rude Mechanicals): Role-playing and improv combineROCCO (ICKamsterdam/FringeArts): Choreographic gloves come off
Philly dance fans were ringside for the fights last weekend for ROCCO, an exhibition of choreographic pugilism
View More ROCCO (ICKamsterdam/FringeArts): Choreographic gloves come offYo Adrian! ROCCO boxing-dance hits FringeArts
Created by acclaimed Dutch choreographers Emio Greco and Pieter Scholten, ROCCO pits male dancer-fighters against one another in a suite of choreographed bouts
View More Yo Adrian! ROCCO boxing-dance hits FringeArtsTHE VULGAR EARLY WORKS (Chelsea & Magda): Sex, society, slapstick
Chelsea & Magda speak directly from their vaginas. If you’re not into that kind of thing, don’t see THE VULGAR EARLY WORKS.
View More THE VULGAR EARLY WORKS (Chelsea & Magda): Sex, society, slapstickEVERYTHING ONE IN THE DISC OF THE SUN (Royal Osiris Karaoke Ensemble/FringeArts): Letting go of expectations and having fun
As a child of the sixties who used to go to “happenings” (our version of Fringe) and a devotee of several self-help modalities, I knew I had to go to EVERYTHING ONE IN THE DISC OF THE SUN, .
View More EVERYTHING ONE IN THE DISC OF THE SUN (Royal Osiris Karaoke Ensemble/FringeArts): Letting go of expectations and having funSex on Stage in FEST (FringeArts) and KEIN APPLAUS FÜR SCHEISSE (American Realness [NYC])
What occurs in a theater when sex happens? Ivo Dimchev’s FEST and Florentina Holzinger and Vincent Riebeek’s KEIN APPLAUS FÜR SCHEISSE present two very different looks.
View More Sex on Stage in FEST (FringeArts) and KEIN APPLAUS FÜR SCHEISSE (American Realness [NYC])Scratch Night returns to FringeArts
FringeArts’ monthly Scratch Night is a great place to see inventive performance art in an embryonic form.
View More Scratch Night returns to FringeArtsIN THE PONY PALACE/ FOOTBALL (Half Saddle): Fringe Review 80
With dialogue like “I thought this player was a golden unicorn in the last game” the presentation is recognizable, but slightly askew, and ten times more fun
View More IN THE PONY PALACE/ FOOTBALL (Half Saddle): Fringe Review 80WETLAND (Mary Mattingly): Fringe Review 78
Since the WETLAND exhibit is a free ‘installation’ piece, we visited, filmed, spoke, and voila: a VIDEO blog.
View More WETLAND (Mary Mattingly): Fringe Review 78FROM OUR LIVING ROOM (Birds on a Wire Dance Theatre): Fringe Review 74
FROM OUR LIVING ROOM comprises five original pieces—four duets and one solo—choreographed and performed by the all-female members of the emerging company Birds on a Wire.
View More FROM OUR LIVING ROOM (Birds on a Wire Dance Theatre): Fringe Review 74AFTER THE SUMMER SUN (BalletFleming): Fringe Review 72
Award-winning choreographer and artistic director Christopher Fleming has created a beautiful program of new works to open BalletFleming’s 2014-15 season.
View More AFTER THE SUMMER SUN (BalletFleming): Fringe Review 7214 SEQUENZAS (A Change of Harp and Bowerbird): Fringe Review 66
Each of the daring and demanding 14 SEQUENZAS features virtuoso musicians and masterful performances.
View More 14 SEQUENZAS (A Change of Harp and Bowerbird): Fringe Review 66THE BODY LAUTREC (Aaron Cromie and Mary Tuomanen): Fringe Review 53.2
Aaron Cromie’s good-natured portrayal reflects the real Lautrec, who retained his artist’s eye and famed geniality even as he joined his friends in their sad retreat into alcoholism and the dementia of syphilis.
View More THE BODY LAUTREC (Aaron Cromie and Mary Tuomanen): Fringe Review 53.2Fringe Bike Tour Was Awesome: Three shows, twelve bikes, dinner, and some rides
“Your little ducks,” Leah says, as we look over our shoulders at the line of weaving their way south on 21st, “they’re all in a row.”
View More Fringe Bike Tour Was Awesome: Three shows, twelve bikes, dinner, and some ridesTHE BODY LAUTREC (Aaron Cromie and Mary Tuomanen): Fringe Review 53
THE BODY LAUTREC is not everyone’s cup of tea: a shockingly hard-core depiction of the depravities and debaucheries of Henri de Toulouse-Lautrec and his art.
View More THE BODY LAUTREC (Aaron Cromie and Mary Tuomanen): Fringe Review 53THE FOUR SEASONS RESTAURANT (Societas Raffaello Sanzio): Fringe Review 36.2
Romeo Castellucci has poured his personal inspirations and philosophy into this remarkable abstract production, but ultimately viewers must determine its meaning for themselves. To this viewer, the piece is a resounding “NO.”
View More THE FOUR SEASONS RESTAURANT (Societas Raffaello Sanzio): Fringe Review 36.2