Brainspunk Theater keeps the conversation on race going with a pair of one-acts by Kansas City writer Michelle T. Johnson, WICCANS IN THE HOOD and TRADING RACES: FROM RODNEY KING TO PAULA DEEN.
View More WICCANS IN THE HOOD / TRADING RACES (Brainspunk): Let’s talk about race, baby
SoLow is about play.
There are some plays in it.
There are some . . . things . . . in it which are not plays.
But, SoLow is about reducing the boring stuff—the stages and lobbies and tickets and grants and endless marketing strategies—which stands between the artist and the audience, so that everyone can play.
To give you a clearer picture of what’s being played around with, freelance writer/performer Julius Ferraro conducts a series of flash interviews of our artists.
View More SOLOW FLASH INTERVIEWS 2014, EPISODE SEVEN: KEVIN MEEHAN, AMELIA CHARTER & ELIZABETH WHITNEY
In SEX, DRUGS, ROCK & ROLL, Eric Bogasian’s revolving cast of characters—an aging rock star, a homeless bottle man, an 80s yuppie, and a handful of others—have little in common except their masculine hedonism.
View More SEX, DRUGS, ROCK & ROLL (Plays & Players): 60-second review
Downtown theater company Quince Productions – the punchy, LGBTQ-leaning bunch that puts on GayFest! every August – opens their sixth annual Full House cabaret series this Thursday in its ancestral home, the Red Room at the Society Hill Playhouse, and it’s looking as wicked, delightful and boozy as ever. (Boozy because your ticket includes the price of a drink.)
View More Full House (Quince): You deserve a cabaret!
Director Manon Manavit had not heard of Heinrich von Kleist when she found a copy of his Michael Kohlhaas on a street in Montreal. It’s easy to understand why she was attracted to the text.
View More MICHAEL THE REBEL (Humble Treasure): Tearing up the German Society library
SoLow is lo fi.
SoLow is lo stress.
SoLow is lo budget.
SoLow is happening, and to give you a clearer picture of what’s in store, freelance writer/performer Julius Ferraro conducts a series of flash interviews of our artists.
This episode we have modern dance in center city, astral projection installation performance in Kensington, and #sexualharassment on #Twitter.
View More SOLOW FLASH INTERVIEWS 2014, EPISODE SIX: STEVEN WEISZ, MELISSA RAUB & ROBERT GROSS
Tom’s Stoppard’s dramedy THE REAL THING is set on a constantly evolving stage transforming into different locations in the UK during the early 1980s. Sky-high walls disappear, doors emerge out of nowhere, and scenes fluidly fold into the next with the help of nimble cast and crewmembers. First off, a man sits building a house of cards in a perfectly done up living room, while awaiting his wife’s return. The card house collapses with her sudden entrance, as does their marriage when he confronts her with the passport she left behind – on her trip out of the country. The whole scene feels rather put on, and the fake English accents don’t help.
View More THE REAL THING (The Wilma): Exquisite dialogue shines through spotty production
New City Stage Company’s West Wing Festival on presidential politics concludes with a satirical take on the past and future occupants of the White House. Imaginative, amusing, and cynical, it considers how their private relationships and distinctive personalities might have impacted our history and could influence world affairs.
View More WHAT HAPPENS IN THE WHITE HOUSE, STAYS IN THE WHITE HOUSE (New City): A New Perspective on First Families
New Jersey native Erik Ransom developed a huge following in Philadelphia with his original work COMING: A ROCK MUSICAL OF BIBLICAL PROPORTIONS, for which he wrote the book, music, and lyrics, and also starred as glam-rock protagonist Damian Salt.
View More Erik Ransom Takes New York by Storm!
SoLow Fest 2014 sweeps the city this June. Floods of performances. Floods of performers. Get swept up!
To give you a clearer picture of what’s in store, freelance writer/performer Julius Ferraro conducts a series of flash interviews of our artists.
This episode we have Ingrid Bergman in South Philly, theatrical memoir on Vine, and porn at Quig’s.
View More SOLOW FLASH INTERVIEWS 2014, EPISODE FIVE: Meredith Sonnen, Sam Henderson and Asaki Kuruma
The set of Michael Hollinger’s witty INCORRUPTIBLE looks like it has been there for hundreds of years, transporting one back to the days of monks…
View More INCORRUPTIBLE (Arden): Laughter in the monastery
Phindie talks to Manon Manavit, a future star of Philadelphia performing arts, before her debut show in the city. She just relocated from Montreal, where she worked with Cirque Du Soleil.
View More Manon Manavit: Taking Philadelphia by Sturm und Drang![CatCal] by Danielle Solomon](https://phindie.com/wp-content/uploads/2014/06/DSC_1342-jfedit-2.jpg)
SoLow Fest! In the house. (In many houses.) This month. OMG. Across Philly’s various neighborhoods, artists of all shapes, sizes and specialities are working on…
View More SOLOW FLASH INTERVIEWS 2014, EPISODE FOUR: Lesley Berkowitz, Clara Elser & Danielle Solomon
Kate Brennan lit up the Philadelphia stages for years as an actor and producer for BCKSEET Productions. Now NYC-based, she’s back in town this summer for an offbeat theater camp. Phindie asks her about this and her memories of Philly.
View More Philadelphia Misses Kate Brennan: Interview with the now NYC-based actor and producer
Phindie talked to Tamanya Garza, a longtime leader of the Philadelphia Latino theater community and director of EL NOGALAR, part of the three-play 30/30 series exploring Latino theater.
View More 30/30 Vision: Tamanya Garza on Latinos in Philadelphia theater
The fifth SoLow Fest features over forty individual shows across Philadelphia. How are you supposed to pick which ones you want to see? They only cost $5 (or whatever you want to fork over—Lo, the magic of Pay What You Can) so you can see more than one so long as you know what’s going on.
To give you a clearer picture of what’s in store, freelance writer/performer Julius Ferraro conducts a series of flash interviews of our artists!
View More SOLOW FLASH INTERVIEWS 2014, EPISODE THREE: Michael Durkin, Joshua McLucas and Michael Broussard
January | February | March | April | May | June July | August | September | October | November | December Dr. Seuss’s The Cat in the Hat. Based on the book by Dr. Seuss. April…
View More Philadelphia Theater Calendar: June 2014
The support for performing arts organizations and artists, of all sizes, pales in comparison to the type of funding that art museums obtain. It is time to start placing more value on the “art” part of performing arts.
View More Putting the value on the art of performing art
The Lantern Theater Company’s remount of THE SCREWTAPE LETTERS by C.S. Lewis is a sizzling show from hell. Kathryn Osenlund’s 60-second review
View More THE SCREWTAPE LETTTERS (Lantern): 60-second review
Needless to say, with over forty individual shows slated to pop up across Philly from June 19-29, it can be hard to decide where you’re going to spend your pocket money.
To give you a clearer picture of what’s in store, freelance writer/performer Julius Ferraro conducts a series of flash interviews of our artists!
In episode two, we get Chaplin in Queen Village, time travel in South Philly, and brain spasms in Kensington.
View More SOLOW FLASH INTERVIEWS 2014, EPISODE TWO: DOUGLAS WILLIAMS, GAVIN WHITT, and HANK CURRY