The hills are alive with the sound of Danielle Lee James!
From modern to historic, tragic to fantastic, THE WOMEN OF IRELAND views the feminine from many angles, creating a fleshed out sculpture of Irish life.
Pennsylvania Ballet’s fifth program of the current season is a historically intriguing.
“I Can’t Kiss Myself Alone”: The Wit and Retro Style of Berlin’s Max Raabe and His Palast Orchestra. Interview by Henrik Eger
One of Germany’s most popular singers launches his North American tour this week.
Philadelphia Voices is about a lot more than cheesesteaks!
It was interesting to compare last week’s reading of Shakespeare’s THE RAPE OF LUCRECE at the Rosenbach to the original presentation at the Broad Street Ministry in 2016.
HUMAN RITES succeeds as a vehicle to tackle such hot-topic themes as appropriation and intersectionality.
Quintessence Theatre Group explores the Shakespearean death throes of the Roman Republic.
I’ve gone from a fan and admirer to an enthusiastic supporter of Jen Childs in I WILL NOT GO GENTLY.
Most things are destined to be average, even musicals that have managed to stay on Broadway for a couple of years.
Artist Chuck Schultz visits the Prince Theater for the latest show from KYL/D.
Doylestown native and Penn State grad Liam Fennecken is ready to rock and roll in the high octane musical SCHOOL OF ROCK.
Neill Hartley’s ensemble for FROZEN makes the most of all the emotion and thoughtfulness Bryony Lavery invests in his play of forgiveness, redemption, and moving on.
Lantern Theater’s production of THE TEMPEST, Shakespeare’s last play, is an enjoyable, modest show, full of comedy and romance and the gentle spirit of human forgiveness.