Hedgerow Macbeth review

MACBETH (Hedgrow): An ambitious and effective take on the Scottish play

Director Dan Hodge does not mind imposing his vision upon a text. His bold decision to combine the Ariel and Miranda characters proved surprisingly effective.in last season’s The Tempest at…

The “Droogs” at the Milkbar (l to r: Katie Gould, Shamus Hunter McCarty, Kevin Rodden, and Alan Holmes as Alex) in Luna Theater Company’s A CLOCKWORK ORANGE (Photo credit: Aaron J. Oster)

A CLOCKWORK ORANGE (Luna): Commedia dell’arte meets post-modern morality play

Luna Theater Company’s interpretation of Anthony Burgess’s 1962 novel is a unique marriage of the British author’s futuristic stylizations with disturbing a cappella songs with the historic conventions of masking and stock movement inspired by Italian commedia dell’arte. It’s a perfect match to tell the cutting-edge morality tale of teen ultra-violence and reform.

courty-lust-walking-fish-gdp

COURTLY LUST: A KING ARTHUR BURLESQUE (GDP/Walking Fish): 60-second review

A tongue-in-cheek recounting of some of the sexier moments of King Arthur’s rule, COURTLY LUST attempts to do it all—just like the knights of old. Comedy, kink, and wit combine,…

Francesca Piccioni as Christina in HANNAH. Photo by @dopez.

HANNAH (Hella Fresh): The glories of the sober mind

In response to a story I wrote about LSD, a college creative writing professor told me that it’s never a good idea to give characters drugs, because if they’re high,…

Tarell Alvin McCraney

Tarell Alvin McCraney’s Brother/Sister Trilogy: Philadelphia audiences get a great look at an acclaimed new playwright

Allen Radway, James Ijames, and Daniel Student discuss Tarell Alvin McCraney’s Brother/Sister trilogy. All three plays in the series hit Philadelphia stages this fall.

pictured: Cait O'Driscoll, photo credit: Erin Pitts

SLASHER (Figment): An improv horror

SLASHER is a one hour improv play in the vein of a B-movie horror. There’s an unnecessarily precautious “splash area” where the audience may be stained with stray stage blood. An audience member’s spin of a wheel dictates the setting and holiday (a school on Easter weekend, on opening night). If this sounds like a description of the kind of show you like to see, you’ll probably like SLASHER.

Lance Coadie Williams and Zainab Jah in Wilma Theater's THE CONVERT. Photo by Alexander Iziliaev.

THE CONVERT (Wilma/Woolly Mammoth): Shining a light on colonialism

Colonialism is Pygmalian writ large: one culture trying to civilize another. In Danai Gurira’s melodramatic THE CONVERT, a priggish preacher (Irungu Mutu) in 1895 Rhodesia (present-day Zimbabwe) seeks to educate and…

Sebastian Cummings, creator and performer in "I Am Because I Am" in DANCE IT OUT.

DANCE IT OUT: SEBASTIAN AND SHANNON (curated by Meg Foley): What Stays With You

Excerpted from thINKingDANCE.net. Upon entering the dark, intimate AUX space for Meg Foley’s first DANCE IT OUT (a new series she is curating), the crowd made chatter from their seats along…

4000 Philadelphia Theatre Company review

4000 MILES (PTC): What a Long, Strange Trip it’s Been

As someone born in the mid-1980s, I’ve rolled my eyes at the sight of the word “Millennial” more times than I can count. What’s great about Amy Herzog’s 4000 MILES is that she refuses to imprison the characters in any social or political context.

Quintessence Theatre Hamlet review

HAMLET (Quintessence): Brevity is the soul of it

Hip, fast-paced, with a frat-boy-cool lead: these aren’t usually phrases to describe HAMLET. But Quintessence Theatre Group’s heavily edited version takes a bare bodkin to Shakespeare’s story of revenge and existential crisis in the state of Denmark.

Daniel Student, artistic director of Plays & Players.

Daniel Student on Tarell Alvin McCraney: An interview with the Plays & Players director about the playwright and his works

Plays & Players Theatre is staging Marcus, Or the Secret of Sweet, the third part of Tarell Alvin McCraney’s acclaimed Brother/Sister series. Phindie spoke to P&P artistic director Daniel Student, who…

Roy Keiser

Roy Kaiser looks forward and back as Pennsylvania Ballet turns 50

Published by The Dance Journal. Reprinted with kind permission. Pennsylvania Ballet launches its 50th season this month with the celebrations, reunions and gala performances, but the company has already been…

Curio Theater Company's ROMEO AND JULIET stars Rachel Gluck and Isa St. Clair (Photo credit: Kyle Cassidy)

ROMEO AND JULIET (Curio): A same-sex take on Shakespeare’s classic

The world’s most famous love story is given a new twist. The familiar characters are now the teenaged daughters of the feuding Montague and Capulet families, whose tragic romance is used to explore the true universality of Shakespeare’s themes.

the-elephant-room

THE ELEPHANT ROOM (FringeArts): 60-second review

In the new FringeArts building, we are presented with what looks like a floating basement, decorated many decades ago, sitting on sloppily placed cinderblocks.  Out of pure gray smoke, three jokesters appear.  They…

Adam Altman and Clare Mahoney in Inis Nua's BLINK.

BLINK (Inis Nua): The Manufacturing of Affection

Phil Porter’s BLINK—making its American premiere with Inis Nua Theatre—is a touching pastiche of romance, high drama and farce. It’s both heavy and light, comic and tragic, whimsical and earthbound—yet…

Francesca Piccioni and Laura Sukonick rehearsing Rosenberg's HANNAH. Photo by Said Johnson.

A Philadelphia playwright you probably don’t know, but should

A hilarious and affecting world premiere by one of the best writers in Philadelphia is opening tomorrow, and you probably don’t know about it.

Photo by Kyle Cassidy.

How universal is Romeo and Juliet? Challenging hetronormative assumptions.

Shakespeare is timeless. Romeo and Juliet is a universal love story. You have probably heard those sentiments expressed before, but are they true? Well, it’s complicated. Shakespeare profoundly understood the…

white pines productions luckiest kid review

LUCKIEST KID (White Pines): 60-second review

Philly-based playwright Martha Kemper’s memoir-based LUCKIEST KID is an achievement just this side of brilliant. Playing the protagonist and main speaker in a story of a high-school girl who sleeps…

lucinda-childs-selected-dances-review

Modern dance DNA is Childs’ play

The retrospective of Judson Church choreographer-dancer Lucinda Childs’ SELECTED DANCES, 1963-78 last week was instructive and artistically purposeful. This work is still so vibrant in its exploratory nature that Childs’ innovations are part of the evolving dance stream.

Angela Smith as Harriet Smith, Trevor William Fayle as Mr. Elton, and Lauren Sowa as Emma Woodhouse in Lantern Theater Company's production of Jane Austen's EMMA (2013). Photo by Mark Garvin.

The Perfect Company in the Perfect City: REGENCY AND REVELRY at Lantern Theater Company

It’s now two hundred years ago that the famous line was published: “It is a truth universally acknowledged that a single man in possession of a good fortune must be…