What can we learn from our misadventures?
No Words for Arielle Pina’s NO INTRODUCTION or A White Viewer’s Guide to Reacting to NO INTRODUCTION
Arielle Pina doesn’t have words for it. She can talk about colorism , but there’s not a way to neatly explain how it has affected her.
Opera Philadelphia’s innovative general director previews the upcoming O17 Festival.
i love love love love love love love love love philadelphia.
The audience gather together on two adjacent hill sides and in the middle is a stretch of grass,
Republished by kind permission from the FringeArts blog. “A Billion Nights on Earth is at the same time an adult work for kids and a kids work for adults—or in…
From a fledgling weekend-long event, Philadelphia Women’s Theatre Festival (PWTF) has become an established part of the city’s theater calendar.
A three-day Gaga Workshop, which includes a class and repertoire, open to professional dancers and dance students ages 16-and-older, is coming to the Performance Garage
Ginna Claire Mason talks about her dream role as Glinda in the national touring production.
We get the sense that every brush with every passerby contains remarkable potential.
Chuck Schultz reviews in words and image.
GILBERT SANCHEZ speaks about his role as Ritchie Valens in the current production.
Although her name may not sound immediately familiar, Quincy Tyler Bernstine has been a force in theater for nearly two decades.