Katherine Perry, Ryan Walter, Danielle Adams, in Return of Confessions of a Plate and Shoe

RETURN OF CONFESSIONS OF A PLATE AND SHOE (SmokeyScout): 60-second review

Josh McIlvain’s RETURN OF CONFESSIONS OF A PLATE AND SHOE should be put in a time capsule and used by future generations as a how-to manual titled “How-to-produce-the greatest-show-ever.” Okay,…

Eric Scotolati

Another take on GLASS: SHATTERED (Renegade)

Pacified by a pre-show serving of *Little Baby’s* ice cream, the Renegade Company’s audience sat in a cozy room with broken victrola records scattered on the floor. Our tummies filled…

Uncle Tom's Cabin EgoPo Classic Theater review photo

UNCLE TOM’S CABIN: AN UNFORTUNATE HISTORY (EgoPo): An unfortunate production

Rooted like wooden figurines in a nineteenth-century music box, the cast of EgoPo Classic Theater’s adaptation of Harriet Beecher Stowe’s UNCLE TOM’s CABIN stand in front of a gigantic American…

photo by Alexander Iziliaev

ASSISTANCE (Wilma): 60-second review

Cutting close to the bone, Lesley Headland’s ASSISTANCE is a protest, as provocative as Sophie Treadwell’s Machinal (1928), exposing the Darwinian-exploitative nature of the 2013 job market. Irony sucker punched…

photo by Kyle Cassidy

ALP D’HUEZ (Hella Fresh): One couple’s twisting mountain stage

Kensington cops may ask why you’re on rundown Ormes Street, but don’t get rattled: the play happening inside the Papermill Theater satisfies like mom’s chicken noodle soup. Normally as a…