Like sad lyrics to a happy beat. this 20-minute one-woman show takes an idiosyncratically personal look at human sadness in its many guises.
Our nearest neighbor, the red planet has a strong gravitational hold over us earthlings. Dani Solomon tells us about her trip there this Fringe.
This Info Will Fucking Dare You: Mary McCool, Brad Wrenn, and Lee Minora bouffon it up at Plays & Players this Fringe
If you dig imaginative and funny collaborative solo shows, Plays & Players theater is the place to go this Fringe Festival.
During WWII Brendan Tetsuo’s grandparents were interned in a camp in Topaz, Utah, a family legacy which led him to create his Fringe show WALK TO TOPAZ,
Is Lady Macbeth mad? Who has people figured out: Shakespeare or Freud? Answers from the folk behind BEDLAM: SHAKESPEARE IN REHAB
THE LONG TIDES weaves clown, movement, audience participation and narrative in a poignant audit of how we spend our minutes.
Brett Mapp knows his Fringe. His itinerary would be a good starting point for anyone considering what to see.
Some companies and performers are such staples of the Philadelphia Fringe Festival that it’s hard to imagine a fest without them. That’s surely the case with Brian Sanders’ JUNK
Some dudes explain why Shakespeare is totes hip with the ladies.
Hhere at Phindie, we’ve been long-time fans of Almanac Dance Circus Theatre, Philadelphia’s trailblazing contemporary acrobatics company, and their work seems to keep getting bigger and better. This Fringe brings , the…
Irina Varina combines dances, theater, performance art, and compelling personal-fictitious narratives of womanhood, sexuality, and longing.
Foreign Affair: Annielille Gavino-Kollman talks diversity and dance ahead of Fringe show FORE-IGN FORE-OUT
Annielille Gavino-Kollman’s piece focuses on the immigrant experience and includes a cast drawn from diverse cultural backgrounds, all of which influence the music and movement of the work.
Chris compares the Edinburgh and Philly Fringe festivals and shares his thoughts on waking up to the scent of Napalm.
This 60-minute spectacle of trangressive theater sounds like a seriously good Fringe time. Zach Trebino and Jenni Messner tell more.
With the Syrian refugee crisis becoming a major international issue, the Cuban exodus of the 1960s and its continued legacy merits renewed consideration. Iraisa Ann Reilly’s new play ONE DAY…
Tina Brock talks about Idiopathic Ridiculopathy Consortium’s Fringe show Eugene Ionesco’s THE CHAIRS.
We’re giving away two free tickets to the performance of your choice and an instant discount on any show.