A crippling honesty and family ties mark August Wilson’s Radio Golf, a play that flows with humor along with sharply incisive dialogue and a clever story line.
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Tag: Thom Weaver
OUTSIDE MULLINGAR (DTC): An Irish love story
A love story in which the course of love would run smooth if it weren’t for stubbornness, misunderstanding, and Irish prudery
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DESCRIBE THE NIGHT (Wilma): Put on your thinking caps
Put on your thinking cap if you’re thinking of going to see DESCRIBE THE NIGHT
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THERE (Wilma): 2019 Fringe review
THERE is not a place on Earth’s map. It is not a poem recital, nor is it a play.
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THERE (Wilma): 2019 Fringe review
Visually arresting and aurally haunting, THERE makes rarefied language solid and visceral
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GEM OF THE OCEAN (Arden): A thing of beauty
GEM OF THE OCEAN is about a lot of things, including race, mysticism, and murder.
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Theater in Sketch: THREE SISTERS TWO (EgoPo)
Chuck Schultz gives his thoughts in words and sketch
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Theater in Sketch: CHARLOTTE’S WEB (Arden Theatre)
Looking at Arden Childrens Theater in words and sketch
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MR BURNS (Wilma): Darkness on the edge of Springfield
Civilization has collapsed but The Simpsons is still going.
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PASSING STRANGE (Wilma): Youth and rebellion
Youth is the time of our lives when the more adventurous among us follow French poet Arthur Rimbaud’s dictum that “everything we are taught is false.”
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A STEADY RAIN (Walnut St): An intense and engrossing cop show
If you’re a fan of TV police procedurals this is the play for you.
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PASSING STRANGE (Wilma): A worthwhile caricature of art
The performers leave a bright impression in a play that’s a caricature of life and art,
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BLOOD WEDDING (Wilma): Movement in the veins
Lorca’s BLOOD WEDDING makes a fitting vehicle for the Wilma Theater in-house troupe.
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International Fringe 2017: A welcome to theater from around the world coming to the Philadelphia Fringe Festival
Welcome to Philadelphia, international Fringe artists.
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HELLO BLACKOUT (New Paradise Labs): 2017 Fringe review
More engrossing, more alienating, and more disciplined than its predecessor.
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Theater in Sketch: TOMMY AND ME (Theatre Exile)
Looking at the past, TOMMY AND ME carries us into the psychological interaction between dreams and reality.
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THE NERD (Bucks County Playhouse): 60-second review
Larry Shue’s 1979 farce has seen better days.
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GYPSY (Arden): A self-aware musical
Another take on the Arden’s GYPSY
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BUZZER (Theatre Exile): We wouldn’t come here if we didn’t live here
A provocative and dismaying story, conveyed through complex characters rather than through statistics and theories
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HAND TO GOD (PTC): The human comedy with sock puppets
What a funny, nasty, smart show.
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