As part of its Transformation Repertory, Quintessence Theatre Company presents one of Shakespeare’s most beguiling plays, The Winter’s Tale. Sometimes classified as a “late romance,” or a “tragi-comedy,” or simply “a problem play,” The Winter’s Tale spans two countries and 16 years.
View More Quintessence Breaking the Cycle with Tragi-Comedy The Winter’s Tale
Welcome to Philadelphia, international Fringe artists.
View More International Fringe 2017: A welcome to theater from around the world coming to the Philadelphia Fringe Festival
REV Theatre Company creates a powerful rendition of HAMLET through scenery and clothing
View More HAMLET (REV Theatre Company): “For the apparel oft proclaims the man” Fashion-forward styling updates HAMLET
Theatre Exile’s production of THE INVISIBLE HAND features an all-star creative team. We interviewed them.
View More Men At Some Time Are Masters of Their Fates: Interview with Maboud Ebrahimzadeh on THE INVISIBLE HAND
Throw your preconceived notions about gender aside and ride your own exasperated mule to Quince Productions’ staging of RODEO.
View More RODEO (Quince): “Who you calling a lady?”
This chaotic opus reaches Monty Python levels of absurdity one would never associate with Shakespeare’s own overlooked tragedy reject.
View More CORIOLANUS (SHAKESPEARE ROULETTE) (Reject): Not your average tragedy
Dan Hodge’s one-man performance of Shakespeare’s poem RAPE OF LUCRECE is back! And it is not to be missed (again).
View More THE RAPE OF LUCRECE (Philadelphia Artists’ Collective): 60-second review
Philly Shakes’ production isn’t afraid to embrace the wonderfully silly and naughty aspects of Shakespeare, and the approach works like a charm.
View More A MIDSUMMER NIGHT’S DREAM (Philadelphia Shakespeare Theatre): What fools these mortals be!
Jessica Foley gives this week’s critical mass take on MACBETH at the Arden, part of a new review series on Phindie.
View More MACBETH (Arden): Numb from the neck down, well almost [critical mass review #3]
Alexander Burns’ production of MACBETH at Arden Theatre Company is energetic and visually engaging, but it lacks ferocity and substance.
View More MACBETH (Arden): Fast but not furious [critical mass review #2]
RICHARD II is a richly rewarding play, full of insightful and startling verse, but you might want to read a synopsis before seeing this production.
View More Richard II (Quintessence): Let us sit on the ground and tell sad stories of the death of kings
This is no mere retelling of Romeo and Juliet. What we get is a conjuring, a blood-letting, a full-throated cry of rage.
View More MAD BLOOD AND OTHER BEAUTIES (A Plague On Both Your Houses): Fringe Review 44
They’ve known each other for what—a couple of hours? Already they’re crazy in love, and they’ll steadfastly love each other against all odds. A love to die for. One of the world’s most celebrated and enduring love stories, ROMEO AND JULIET, is currently on stage at The Philadelphia Shakespeare Theatre.
View More ROMEO AND JULIET (Philadelphia Shakespeare Theatre): A Love to Die for
You may have seen the Lantern Theater Company’s JULIUS CAESAR, which recast Shakespeare’s political tragedy in Feudal Japan. You may also have seen the open letter that local playwright and performer Makoto Hirano hand-delivered to The Lantern on “How to Stage Your Show Without Being Super Racist,” which he signed “Makoto Hirano, Dance-theatre artist, actual Japanese person, and actual Samurai descendent,” reposted on Phindie with Hirano’s consent.
View More The fault, dear Brutus, Act II: Interview with Makoto Hirano about “Super Racist” Julius Caesar
Director Charles McMahon, founding artistic director of the Lantern Theater Company, asserts that all of Shakespeare’s plays, whenever or wherever they’re set, are in fact observations about contemporary England. By shifting the locales to places outside of his homeland.
View More On the Universality of Shakespeare: Roman History through a Shoji Screen in the Lantern’s THE TRAGEDY OF JULIUS CAESAR
David Patrick Stearns writes yet another petulant review, this time of Pig Iron’s TWELFTH NIGHT. If he whines enough that he isn’t entertained at theater…
View More TWELFTH NIGHT (Pig Iron): Upends Expectations, Rights Shakespeare’s Play