Henrik Eger greets international Fringe artists.
View More A Welcome to the International Artists at the 2019 Fringe FestivalTag: Seth Reichgott
LOVE, LIES AND TAXIDERMY (Inis Nua): To Wales with love
Perhaps it is Harris’s adept characterization of economic pains and societal pressures which sets light romantic comedy in pleasant relief.
View More LOVE, LIES AND TAXIDERMY (Inis Nua): To Wales with loveIs It Always About Sex? Director Kittson O’Neill on the sexual politics of THE ROVER
If you don’t think every play is about sex, you shouldn’t be making theater.
View More Is It Always About Sex? Director Kittson O’Neill on the sexual politics of THE ROVERSTAND BACK I’M GONNA UKE: AN EVENING OF OLD-TIMEY MUSIC (Seth Reichgott): Fringe Review 32
Short, sweet, and a little bit uplifting. STAND BACK I’M GOING TO UKE is an enjoyable evening of old-timey music.
View More STAND BACK I’M GONNA UKE: AN EVENING OF OLD-TIMEY MUSIC (Seth Reichgott): Fringe Review 32Fringe Picks: Daniel Student gives his shameless plugs and insider tips
Plays and Players Theatre is host to x shows in this year’s Philadelphia Fringe Festival and the upstairs bar is a regular after-show spot for Fringe performers, so Daniel Student, artistic director of the resident theater company, has his finger on the festival pulse. Daniel told Phindie what he’s looking forward to this year, at P&P and beyond.
View More Fringe Picks: Daniel Student gives his shameless plugs and insider tipsDEAR DIARY, BYE (Ellie Brown): Schoolyard scraps and crushes galore
And maybe that’s what makes Ellie Brown’s DEAR DIARY, BYE such a fascinating show. The play, directed by Seth Reichgott, presents her 1984 diary. Brown wasn’t so different from any other ten year old – she liked boys, she got sick of her parents, she was teased, and she liked more boys. There’s a pleasure in this kind of uncensored presentation, a la Nature Theater of Oklahoma.
View More DEAR DIARY, BYE (Ellie Brown): Schoolyard scraps and crushes galoreADDRESS UNKNOWN (Meadowbrook Productions): Letters from the edge of history
Reading history is like watching a familiar play: the fascinating thing is that the characters don’t know what’s going to happen. But sometimes you come across a work of fiction written on the cusp of great historical events imbued with a clear sighted vision of how the epoch is unfolding. Adapted by Frank Dunlop from a 1938 novella by Kathrine Kressman Taylor, ADDRESS UNKNOWN is one such work.
View More ADDRESS UNKNOWN (Meadowbrook Productions): Letters from the edge of historyASSASSIN (InterAct): Grumpy Professor Review
Although ASSASSIN was directed by Seth Reichgott, InterAct Theatre Company is its producing-artistic director, Seth Rozin, who runs a tight ship. ASSASSIN was okay but it was…
View More ASSASSIN (InterAct): Grumpy Professor ReviewInterAct’s ASSASSIN Hits Hard
Every week there seems to be another news story about the dangers of NFL football. The average career length for an outfield offensive player (running…
View More InterAct’s ASSASSIN Hits Hard