Lantern Theater’s production of THE TEMPEST, Shakespeare’s last play, is an enjoyable, modest show, full of comedy and romance and the gentle spirit of human forgiveness.
View More THE TEMPEST (Lantern): Sounds and sweet airs that give delight and hurt not
I suspect that among the reasons COPENHAGEN has been so successful is that it invites us to believe that we are smarter than we actually are
View More COPENHAGEN (Lantern): Observable quantities
What better theatrical vehicle for cynicism than “meta”: how many ways can the playwright fool an audience?
View More BROKEN STONES (InterAct): Searching through the meta rubble
The audience gather together on two adjacent hill sides and in the middle is a stretch of grass,
View More Theater in Sketch: CORIOLANUS (Shakespeare in Clark Park)
A visceral, exquisitely written, three-person anxiety attack
View More SWALLOW (Inis Nua): This Scottish play is a spot on reflection of America right now
A loose adaptation by Brenna Geffer and her ensemble based on the novel, Anna Karenina by Leo Tolstoy.
View More Theater in Sketch: ANNA (EgoPo)
Azuka’s terrific production of SHITHEADS, a new play by Douglas Williams, details the New York bicycle subculture.
View More SHITHEADS (Azuka): Nice ride
AN ILIAD brings Homer’s characters and their epic struggle to life using just a sole narrator and musical accompaniment.
View More AN ILIAD (Lantern): Homer sweet homer
You won’t get many opportunities to see KING JOHN; you’re unlikely to see one as well-rendered as Revolution Shakespeare’s.
View More KING JOHN (Revolution Shakespeare): 2016 Fringe review 88
The International Philly Fringe: A welcome to 28 countries
View More International Fringe 2016: A welcome to theater from around the world, including refugees