Anyone who has sung around a campfire can attest to the power of music to elicit feelings of closeness
View More CLOSE MUSIC FOR BODIES (Michael Kiley): 2017 Fringe review
Tag: MICHELE TANTOCO
PORTAL (Leah Stein Dance Company): 2016 Fringe review 79
the rich layering of performance capacity matched the layers of movement space that Leah Stein’s PORTAL attended to
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TURBINE (Leah Stein/ Mendelssohn Club): Stein’s water-dances power the Water Works
Greek revival structures and riverscape environs inspire an immersive choral-dance work that explores the specific interplay of machinery and nature.
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DUST (Megan Bridge/FringeArts): All we are
Evidence of life. Enemy of the domestic goddess. Culprit of hay fever. The stuff we’re all destined for. DUST has connotations both mundane and eternal.
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SPLICE (Leah Stein Dance Company): Fringe Review 84
In SPLICE, a single flat wave of board whoops its way through the Leonard Pearlstein Gallery, which consists of about four rooms, vaguely defined by false walls.
View More SPLICE (Leah Stein Dance Company): Fringe Review 84
Modern dance DNA is Childs’ play
The retrospective of Judson Church choreographer-dancer Lucinda Childs’ SELECTED DANCES, 1963-78 last week was instructive and artistically purposeful. This work is still so vibrant in its exploratory nature that Childs’ innovations are part of the evolving dance stream.
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Fringe Preview: Architectural dance alchemy, Adjacent Spaces by Leah Stein Dance Company
Published by The Dance Journal. Reprinted with kind permission. Leah Stein has had a very prolific year performing and choreographing with several projects overlapping, including…
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