She pleases, she teases, and she appeases.
View More The Master and the Magician: Fred Hersch and Cécile McLorin Salvant open the McCarter’s Second Jazz in June Festival
Tag: McCarter Theatre
THE GODS OF COMEDY (McCarter Theatre): 60-second review
A charming comedy buried under an avalanche of frenetic activity
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THE NICETIES (McCarter Theatre): What revolution?
Eleanor Burgess’s play addresses current debates with careful but sweeping intelligence.
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CROWNS (McCarter): 60-second review
Regina Taylor’s CROWNS is an entertaining and telling musical about traditions among African-American women
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Quincy Tyler Bernstine in INTIMATE APPAREL: Stalwart supporting actor gets chance to shine
Although her name may not sound immediately familiar, Quincy Tyler Bernstine has been a force in theater for nearly two decades.
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Transcendent pianism from Kirill Gerstein at the McCarter
Kirill Gerstein bathed his Princeton audience in splendor Monday, February 27, when the pianist presented a recital featuring Bach, Brahms, Beethoven and Liszt at the…
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Neal Zoren’s BEST OF PHILADELPHIA THEATER, 2016
Neal Zoren chose his favorite productions, directors, and actors from the last year.
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“Lauren Feldman is a goddess”: 10 Philadelphia playwrights describe a beloved PlayPenn teacher
Lauren Feldman’s 7-week course for Philadelphia area playwrights had such a profound impact on those she taught.
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DISGRACED (McCarter): No disgrace here
A divinely thorough production of an honest, far reaching play.
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ALL THE DAYS (McCarter): An interesting failure
It takes a while for playwright Sharyn Rothstein to show you where she’s going in ALL THE DAYS. Rothstein writes sitcoms, and the formula shows.
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THE PIANO LESSON (McCarter): A fine tune
Baikida Carroll’s PIANO LESSON is August Wilson as it’s meant to be seen.
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BASKERVILLE: A SHERLOCK HOLMES MYSTERY (PTC): A wacky spoof on a classic novel
An entertaining spoof of Sir Arthur Conan Doyle’s Victorian classic injects humor and surprises into the well-known mystery.
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BASKERVILLE (McCarter): An entertaining trip to Dartmoor
Ken Ludwig taps literature’s most iconic detective with BASKERVILLE, a funny, inventive, entertaining take on Arthur Conan Doyle’s “The Hound of the Baskervilles.”
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SIZWE BANZI IS DEAD (McCarter): Being a man in apartheid
SIZWE BANZI IS DEAD is genuine work of theater and an authentic, authoritative look at a shameful period of South African history.
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