CABARET has taken on a new level of relevance, but Matthew Decker’s re-creation of Sam Mendes’ famous production remains stuck in the past.
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Tag: Matthew Decker
JOHN (Arden): Things that haunt
There remains something compelling about ghost stories. Annie Baker’s JOHN demonstrates why: our past haunts just as well as any poltergeist.
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A NEW BRAIN (Horizon): Getting a new lease on life
Theatre Horizon’s production of William Finn’s autobiographical musical comedy is filled with off-beat humor, powerhouse vocals, and a life-affirming message.
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KRISSY FRAELICH (Arden Cabaret): 60-second review
Fraelich proves her mettle as a singer who can move as much as impress you.
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THE STINKY CHEESE MAN (Arden): No cheese smells this good
It’s hard to know what to expect going into a children’s theater show, but this adult was quite honestly blown away.
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LOBBY HERO (Theatre Horizon): A web of unintended consequences
Kenneth Lonergan’s new play explores the many levels of trust.
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THE JUNGLE BOOK (Arden): Merging morals with make-believe
Based on British author Rudyard Kipling’s series of exotic children’s stories inspired by his childhood in India, THE JUNGLE BOOK is now an engaging family play, celebrating its world premiere at Arden Children’s Theatre.
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INTO THE WOODS (Theatre Horizon): Agony is ecstasy
Theatre Horizon tackles Steven Sondheim’s alternative take on fairy tales.
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GREAT EXPECTATIONS (Arden): Exceeds all expectations
With a perfect combination of passion, pride, storytelling, and imagination, the Arden Theatre Company’s production of GREAT EXPECTATIONS is a thrilling night of theater.
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CIRCLE MIRROR TRANSFORMATION (Theatre Horizon): All the world’s a stage, and all the men and women…
Life doesn’t imitate art as much as combine with it as Baker’s play, and Matthew Decker’s production of it for Theatre Horizon, sneaks up on you and moves you.
View More CIRCLE MIRROR TRANSFORMATION (Theatre Horizon): All the world’s a stage, and all the men and women…